The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
8
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
10
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
11
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larice
1782
12
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
13
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
14
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
15
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
16
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
17
Charles Gore, 1729–1807
Konigstein
1789
18
Charles Gore, 1729–1807
Lorch on the Rhine
between 1790 and 1799
19
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
20
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
undated
21
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
22
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
23
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: View
undated
24
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
25
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
26
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
27
Giovanni Stern, 1734–1794
Plans of Ancient Roman Church: 4. Terme di Tito
undated
28
unknown artist
Landscape with Lake and Figures on a Rocky Road
1777
29
Luke Sullivan, 1705–1771
Badminton Church and Part of the Duke of Beaufort's House
undated
30
unknown artist
Brighton Town and Church
ca. 1780
31
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
32
Samuel Wale, 1721–1786
Westminster Abbey
undated
33
Joseph Wright of Derby, 1734–1797
A Church in Italy
undated
34
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
35
Jonathan Skelton, active 1754, died 1758
Harbledown, a Village near Canterbury
1757
36
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
37
Print made by John Faber the Younger, ca. 1695–1756
The Choice
1737
38
Print made by Louis de Fontaine, active 1723–1757
Wandering Musicians
undated
39
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
40
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
41
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
42
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
43
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
44
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
45
Capt. Francis Grose, 1731–1791
Pershore Abbey, Worcestershire
1791
46
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
47
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
48
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
49
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
50
Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
51
Thomas Bowles, ca. 1712–died 1753
The Church of St. Mary Le Bow in Cheapside London
52
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
53
Print made by James S. Storer, 1771–1853
Birmingham
1795
54
Print made by James Walker, 1748–1808
Rochester
1794
55
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
56
Print made by unknown artist
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
undated
57
Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
58
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
59
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
60
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
61
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
62
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
71
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
72
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
73
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
74
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
75
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
76
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
77
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
79
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
80
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
82
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
84
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
85
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
86
James Moore, 1762–1799
Salisbury Cathedral
1791
87
James Moore, 1762–1799
Wimborne Minster, Dorset, Englad
1791
88
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
89
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
90
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
91
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh