Collection: Prints and Drawings / Period: 18th century / Image Use: Free to Use / Subject Terms: hills

William Hogarth, 1697–1764

Study for the Foundlings

ca. 1739

Joseph Mallord William Turner, 1775–1851

In the Valley Near Vietri

ca. 1794

Joseph Mallord William Turner, 1775–1851

Villa Salviati on the Arno

between 1796 and 1797

Joseph Mallord William Turner, 1775–1851

Santa Lucia, A Convent near Caserta

ca. 1795

Joseph Mallord William Turner, 1775–1851

Near Grindelwald

ca. 1796

Joseph Mallord William Turner, 1775–1851

A Three Storied Georgian House in a Park

ca. 1795

Joseph Mallord William Turner, 1775–1851

Evening Landscape with Castle and Bridge in Yorkshire

between 1798 and 1799

Joseph Mallord William Turner, 1775–1851

From the Isola Borromena, Lago Maggiore

ca. 1795

Joseph Mallord William Turner, 1775–1851

Windsor

ca. 1798

Joseph Mallord William Turner, 1775–1851

Sir William Hamilton's Villa

ca. 1795

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

George Romney, 1734–1802

Landscape in Westmoreland

undated

attributed to James Barry, 1741–1806

The Cave of the Cumean Sybil on the Shore of the Lake Avernus

between 1740 and 1759

Sir George Howland Beaumont seventh Baronet, 1753–1827

Falls at Schaffhausen

1782

Sir George Howland Beaumont seventh Baronet, 1753–1827

Between Llangollen and Oswestry

1790

Mary Harcourt, 1750–1833

Tournon Opposite to Teint on the Rhone

ca. 1780

Thomas Hearne, 1744–1817

View from Skiddaw over Derwentwater

between 1772 and 1782

William Kent, ca.1686–1748

Design for a Pavilion in a Deer Park

ca. 1735

Charles Gore, 1729–1807

Konigstein

1789

Willey Reveley, 1760–1799

Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Landscape With Sea, Town and Hills

ca. 1785

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

William Pars, 1742–1782

Landscape with Temple Ruins at Sunium

undated

Willey Reveley, 1760–1799

Views in the Levant: Harbour Town Surrounded by Windmills

ca. 1785

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Richard Earlom, 1743–1822

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Willey Reveley, 1760–1799

Views in the Levant: View of a Harbour and Town From the Sea, Turkey

ca. 1785

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Jean B. C. Chatelain, 1710–1771

Man and Woman Digging

1737

Print made by George Bickham the Elder, 1683/4–1758

Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

George Bickham the Elder Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

Alexander van Haecken, 1701–1758

In Her Love-Darting Eyes Awakes the Fires

between 1735 and 1757

Capt. Francis Grose, 1731–1791

Near Torrington, Devonshire

1778

Francis Jukes, 1747–1812

View of Tintern Abbey on the River Wye

1799

Thomas Daniell, 1749–1840

Landscape with Waterfall

undated

Thomas Daniell, 1749–1840

Landscape: India

undated

Thomas Daniell, 1749–1840

Near Woombinellon

undated

Thomas Daniell, 1749–1840

Near Anchetti Durgum

undated

Thomas Daniell, 1749–1840

Madras

undated

Thomas Daniell, 1749–1840

Bijaigarh (Bidze Gur)

1788

Thomas Daniell, 1749–1840

Landscape

undated

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Thomas Daniell, 1749–1840

Veransulean Pennisula

August 7, 1792

Thomas Daniell, 1749–1840

Marmalong Bridge

ca. 1792

James Miller, active 1773–1814

Caves

1770s

Print made by George Bickham the Elder, 1683/4–1758

Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

1730

Print made by George Bickham the Elder, 1683/4–1758

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

John William Edy, 1760–1820

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

unknown artist

The Expedition against Cape Breton in Nova Scotia

unknown artist

West View of the City of Edinburgh

ca. 1765

unknown artist

The Prospect of the Town of Dumblane

Print made by John Couse, active 1753–1764

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

unknown artist

The Prospect of ye Town of Perth

unknown artist

The Prospect of ye Town of Dundee

unknown artist

The Prospect of the Town of Dunkeld

unknown artist

The Prospect of their Majesties Castle of Sterling

unknown artist

The Prospect of the Town of St. Andrews

Print made by Giles King, active 1732–1746

A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

ca. 1744

Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Print made by Thomas Bowles III, ca. 1712–1767

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

between 1780 and 1815