The young artists assistant, or, A familiar introduction to the art of drawing, with instructions for colouring &c.
1810
202
Rowlandson, Thomas, 1756–1827
Rowlandson's world in miniature
1816
203
Fielding, Newton Limbird Smith, 1799–1856
What to sketch with, or, Hints on the use of coloured crayons, water colours, oil colours, black and white chalks, black-lead pencil
[1856]
204
The student's treasure
MDCCLXXXIX [1789]
205
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape
1793
206
Metz, C. M. (Conrad Martin), 1755–1827
Fores's new chalk drawing-book, of heads and academy figures
1795-1799
207
Edwards, Edward, 1738–1806
A practical treatise of perspective, on the principles of Dr. Brook Taylor
1803
208
Traité de la peinture au pastel ..
1788
209
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1803
210
The florist
[between 1770 and 1784?]
211
Pyne, W. H. (William Henry), 1769–1843
Rudiments of landscape drawing
1812
212
Quadal, Martin Ferdinand, 1736–1808
A variety of tame & wild animals
May 25, 1793
213
Serlio, Sebastiano, 1475–1554
A book of perspective & geometry
1657
214
Prout, Samuel, 1783–1852
Bits for beginners
1817
215
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing
1829
216
The art of drawing without a master
[ca. 1840?]
217
Heckel, Augustin, approximately 1690–1770
The florist, or, An extensive and curious collection of flowers, for the imitation of young ladies, either in drawing, or in needle-work
[1759]
218
The artist's vade mecum
1762
219
First drawing book
1845
220
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
221
Harding, James Duffield, 1798–1863
Elementary art, or, The use of the lead pencil advocated and explained
1838
222
Bartolozzi, Francesco, 1727–1815
Thirty four lessons for drawing the human figure
[1828]
223
Powell, Joseph, 1780–1834
Progressive lessons in drawings
1820-1821
224
Harley, George, 1791–1871
First principles of landscape drawing
[1829]
225
Picart, Bernard, 1673–1733
Second drawing book of heads
1757
226
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
227
A New drawing book
1796
228
Harding, James Duffield, 1798–1863
Elementary art, or, The use of the chalk and lead pencil advocated and explained
[1854]
229
Berchem, Nicolaas Pietersz, 1620–1683
A drawing book of figures and animals from Berghem
[ca. 1790]
230
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
231
Alston, J. W. (J. William)
Hints to young practitioners in the study of landscape painting
[1804]
232
Willson, Harry, 19th cent
A practical treatise on composition, light and shade, and colour
MDCCCLI [1851]
233
Brookshaw, George, 1751–1823
Six birds
1819
234
Harley, George, 1791–1871
First principles of landscape drawing
[1836?]
235
Tracing aid
early 20th century?
236
Walton, John
Walton's drawing book in the tinted style
18--]
237
Laurie, Robert, 1755?-1836
The artist's assistant in drawing, etching, engraving, mezzotinto-scraping, painting on glass, and on silks, satins, &c.
1842
238
The complete guide to the fine arts
1841
239
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
240
Art of drawing and painting in water-colours
1770
241
Harding, James Duffield, 1798–1863
The guide and companion to the "Lessons on art"
[1854]
242
Vandenburgh's drawing book and young artists' preceptor
[ca. 184-]
243
Purcell, Edward, fl. 1812–1831
[Sketchbook, with pen and ink watercolor studies of figures, heads, and rural and classical figures]
[ca. 1829?]
244
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
245
Barnes, Joseph
The young artist's companion
[1815]
246
Nicholson, Peter, 1765–1844
The rudiments of practical perspective
1822
247
Laporte, John, 1761–1839
Characters of trees
[1800]
248
Laporte, John, 1761–1839
Laporte's Sketch book
[1802]
249
The art of drawing in perspective
1798
250
Pyne, W. H. (William Henry), 1769–1843
Artistic and picturesque groups for the embellishment of landscape
1817
251
Smith, John, fl. 1673–1680
Short and direct method of painting in water-colours
1730
252
Hassell, J. (John), d. 1825
The speculum, or, Art of drawing in water colours
1810
253
O'Neill, Henry, 1798–1880
A guide to pictorial art
1849
254
The florist
[ca. 1760]
255
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
256
Prout, Samuel, 1783–1852
A series of easy lessons in landscape drawing
1820
257
Prout, Samuel, 1783–1852
Easy lessons in landscape drawing
[1819]
258
The art of drawing, and painting in water-colours
1763
259
Prout, Samuel, 1783–1852
Progressive fragments
1817
260
Robson, William
Grammigraphia;
1799
261
The compleat drawing-master
1763
262
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
263
Sherlock, William P., 1775–
Drawing book of landscapes, shipping & animals
1819
264
Wood, John George, 1768–1838
The principles and practice of sketching landscape scenery from nature
1813-[1815]
265
The principles of drawing, design, and engraving;
1800
266
Sanderson, William, Sir, 1586?-1676
Graphice
1658
267
Cox, David, 1783–1859
A series of progressive lessons, intended to elucidate the art of landscape painting in water colours
1811
268
Moriarty, Henrietta Maria
Fifty plates of green-house plants, drawn and coloured from nature
1807
269
Maslov, Aleksandr
Rukovodstvo kʺ risovanīi︠u︡ akvarelʹi︠u︡ ili vodi︠a︡nymi kraskami bezʺ pomoshchi uchiteli︠a︡
1857
270
The elements of drawing in all its branches
1802
271
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
272
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art
MDCCLII [1752]
273
Fielding, Newton Limbird Smith, 1799–1856
How to sketch from nature, or, Perspective and its application