<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Associated Places England

Remove constraint Associated Places: England

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Over the Bank, Exmoor
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayhorse, Tattersall’s
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1921
Materials & Techniques:
Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Folkestone Harbour and Coast to Dover
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1829
Materials & Techniques:
Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Teignmouth, Devonshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1813
Materials & Techniques:
Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 8 3/4 inches (15.2 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
Creator:
William Blake, 1757–1827
Date:
1819
Materials & Techniques:
Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 inches (15.6 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C., Yale BA 1968, and Mildred B. Marshall
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Village of Aldbury, Hertfordshire
Creator:
George Shepheard, ca. 1770–1842
Date:
1816
Materials & Techniques:
Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 13 inches (20.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Savoy Palace, London
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chapel of the Greyfriars Monastery, Winchester
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Beach at Charmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shopping in the Rows, Chester
Creator:
Sir David Wilkie, 1785–1841
Date:
1837
Materials & Techniques:
Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card
Dimensions:
Mount: 7 1/2 x 9 3/8 inches (19.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene from Quentin Durward
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holbein's Gateway and Jones's Banqueting House, Whitehall...
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816
Date:
ca. 1799
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Village of Kirkstall, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clare Castle, Suffolk
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roundway Park, Wiltshire: Exterior View
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hulks at Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Proposed plan for Trafalgar Square
Creator:
George Belton Moore, 1805–1875
Date:
1841
Materials & Techniques:
Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Millbank

Millbank
Creator:
John Linnell, 1792–1882
Date:
1806
Materials & Techniques:
Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 7/8 x 14 7/8 inches (22.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chelsea Pensioners Reading the Waterloo Dispatch
Creator:
Sir David Wilkie, 1785–1841
Date:
before 1822
Materials & Techniques:
Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Market Square, Bury St. Edmunds
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landing a Catch of Mackerel, Hastings
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Chat Moss

Chat Moss
Creator:
Isaac Shaw, active 1830
Date:
undated
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, with Figures on the Hillside
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 inches (22.9 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
The Entrance to King John's Palace, Eltham, Kent
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures on a Bank, Kensington Gravel Pits
Creator:
John Linnell, 1792–1882
Date:
1812
Materials & Techniques:
Watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 7/8 x 5 3/4 inches (9.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Old London Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
1825
Materials & Techniques:
Watercolor, and pen and brown ink on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 13 1/4 x 21 1/8 inches (33.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures taking the Waters at the Spa at Scarborough
Creator:
James Green, 1771–1834
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and gray ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading Pit Props at Coalbrookdale
Creator:
Thomas Hearne, 1744–1817
Date:
after 1790
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fish Market, Hastings
Creator:
William Henry Harriott, active 1811, died 1839
Date:
1824
Materials & Techniques:
Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Bath from Spring Gardens
Creator:
Thomas Hearne, 1744–1817
Date:
1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor Castle from the Eton Playing Fields
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thaxted Church, Essex
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chestnut Tree at Little Wymondley, Hertfordshire
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayswater Turnpike
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 14 1/8 inches (28.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weymouth: with figures, shipping and view of (?) the Custon House
Creator:
John Henderson, 1764–1843
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 5 1/2 inches (14 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abbot's Kitchen, Glastonbury
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
ca. 1795
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portico of St. Martin-in-the-Fields
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1862
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Garden of Thomas Sandby's House at Englefield Green near Windsor
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1800
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/4 inches (29.5 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harwich, Essex
Creator:
William Daniell, 1769–1837
Date:
ca. 1820
Materials & Techniques:
Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiam Castle
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kensington Gardens
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Regent Street, Looking Toward Piccadilly From Waterloo Place
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the Thames at Battersea
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Torquay

Torquay
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bayswater - London
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Green Park
Creator:
George Sidney Shepherd, 1784–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Gray ink with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 5/8 inches (15.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret
The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bradwell Lodge, Bradwell Quay, Essex
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bathing Machine on the Common, near Southsea Castle
Creator:
John Nixon, ca. 1760–1818
Date:
1788
Materials & Techniques:
Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander
The North Country Mails at The Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1815
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Punt Fishing in the Thames
Creator:
Robert Pollard, 1755–1838
Date:
undated
Materials & Techniques:
Graphite, with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 13 1/16 inches (10.6 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Ball at Scarborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection