Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
21
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
22
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
23
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
24
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
25
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
26
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
36
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
40
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
41
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
42
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
43
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
44
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
45
George Romney, 1734–1802
Samson Overpowered
undated
46
George Romney, 1734–1802
The Bath of Bath-sheba
undated
47
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
48
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
49
George Romney, 1734–1802
Charity
undated
50
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
51
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
52
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
53
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
54
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
55
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
ca. 1787
56
Edward Burne-Jones, 1833–1898
Flora
undated
57
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
58
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
59
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
60
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
61
Print made by William Say, 1768–1834
Cupid and Psyche
1816
62
Print made by unknown artist
S. Maria Magdalena
undated
63
Print made by John Smith, 1652–1743
Saint Catharina
undated
64
Print made by John Smith, 1652–1743
The Triumph of Galatea
1701
65
Print made by Richard Earlom, 1743–1822
Virgin and Child
1776
66
Print made by Jacob Gole, 1660–1737
King Lyncus Turned Into a Lynx by Ceres
between 1675 and 1700
67
Richard Westall, 1765–1836
Christ Raising the Widow's Son (Luke 7:13-16)
before 1836
68
Richard Westall, 1765–1836
The Annunciation (Luke 1:26)
before 1836
69
Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
1787
70
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
71
Jacques Christophe Le Blon, 1667–1741
St. Catherine Reading
undated
72
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
73
Print made by Henry Fuseli, 1741–1825
The Mighty Mother Sails Through the Air
1787
74
John Martin, 1789–1854
Marcus Curtius
75
Print made by Richard Earlom, 1743–1822
Sensibility
1789
76
Print made by Richard Earlom, 1743–1822
Sensibility
1789
77
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
78
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
79
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
80
John Martin, 1789–1854
Death of the First Born
1836
81
John Martin, 1789–1854
The Crucifixion
1834
82
Print made by John Martin, 1789–1854
The Deluge
1828
83
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
84
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
85
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
86
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
87
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
88
Print made by John Simon, 1675–1755
Christ and the Woman of Samaria
undated
89
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
90
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
91
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
92
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis