Image Use: Free to Use / Subject Terms: landscape (representation) / Classification: Prints

1. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:: Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Bonneville, Savoy

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

7. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Line engraving etching and white gouache, engraver's proof (touched) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Line engraving, open etching, first state (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 5/8 inches (21.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1812
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and line engraving, early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, 1st published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Farewell - Lake of Como, II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 9/16 inches (17.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

26. The Lanterne of St. Cloud

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

27. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and line engraving; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; finished engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836 to 1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Crossing the Brook

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Scene on the Loire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 9/16 inches (17.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

39. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

40. Clairmont

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 15/16 × 10 9/16 inches (20.2 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

41. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

42. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

43. Graville

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

44. Château de Tancarville, with Town of Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

45. Tancarville

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, (First Published State) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

46. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

47. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

48. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

49. Pont de l'Arche

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

50. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

51. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

52. Bridges of St. Cloud and Sevres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

53. View on the Seine, between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

54. Bridge of St. Cloud and Sevres

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

55. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

56. Babylon

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. William Tell's Chapel (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/4 × 21 3/4 inches (41.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/8 × 15 1/8 inches (30.8 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/2 × 20 1/8 inches (39.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper mounted on ledger page
Dimensions:: Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Dryburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ashestiel

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 8 3/4 inches (33.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Wolf's Hope

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Abbotsford, Large Vignette

Creator:: Print made by William Miller, 1796–1882
Date:: 1841
Materials & Techniques:: Etching; open etched state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Red Sea and Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Dead Sea, Jericho and the Mouth of the Jordan

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Corinth (Cenchrea)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Abbotsford, Vignette Title

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 inches (44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 inches (30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Nile

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Lake of Nemi

Creator:: Print made by Edward Goodall, 1795–1870
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Lake of Geneva

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Line engraving and etching; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Addingham Mill on the Warfe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1821
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Image Use Free to Use

Subject Terms landscape (representation)

Classification Prints

Search Results

1. Bonneville, Savoy

2. Bonneville, Savoy

3. Bonneville, Savoy

4. Modern Italy

5. Ehrenbreitstein

6. Bonneville, Savoy

7. Lulworth Cove, Dorset

8. Lulworth Cove, Dorset

9. Lulworth Cove, Dorset

10. Lulworth Cove, Dorset

11. Lyme Regis

12. Lyme Regis

13. Plymouth Dock, from Mount Edgecumbe

14. Plymouth Dock from Mount Edgecumbe

15. Pendennis Castle and Entrance of Falmouth Harbour

16. Pendennis Castle and Entrance of Falmouth Harbour

17. Pendennis Castle, and Entrance of Falmouth Harbour

18. East & West Looe, Cornwall

19. East & West Looe, Cornwall

20. Watchet, Somersetshire

21. Watchet, Somersetshire

22. Fowey, Cornwall

23. A Farewell - Lake of Como, II

24. Fowey, Cornwall

25. Amboise

26. The Lanterne of St. Cloud

27. Lulworth Cove, Dorset

28. St. Agatha's Abbey

29. Folkestone

30. St. Agatha's Abbey

31. The Thames at Mortlake

32. The Thames at Mortlake

33. Crossing the Brook

34. The Thames at Mortlake

35. The Thames at Mortlake

36. St. Agatha's Abbey

37. Folkestone

38. Scene on the Loire

39. Coteaux de Mauves

40. Clairmont

41. Lillebonne, Château and Tower

42. Harfleur

43. Graville

44. Château de Tancarville, with Town of Quilleboeuf

45. Tancarville

46. Lillebonne, Château

47. Jumièges

48. Honfleur

49. Pont de l'Arche

50. Château de la Mailleraie

51. Caudebec

52. Bridges of St. Cloud and Sevres

53. View on the Seine, between Mantes and Vernon

54. Bridge of St. Cloud and Sevres

55. Confluence of the Seine and Marne

56. Babylon

57. William Tell's Chapel (vignette)

58. Buckfastleigh Abbey, Devonshire

59. Buckfastleigh Abbey, Devonshire

60. Alnwick Castle, Northumberland

61. Alnwick Castle, Northumberland

62. Alnwick Castle, Northumberland

63. Alnwick Castle, Northumberland

64. Blenheim, Oxfordshire

65. Blenheim, Oxfordshire

66. Penmaen Mawr, Caernarvonshire

67. Wycliffe, near Rokeby

68. Folkestone: Harbour, and Coast to Dover, Kent

69. Bolton Abbey, Wharfdale

70. Buckfastleigh Abbey, Devonshire

71. Bacharach on the Rhine

72. Château de la Mailleraie

73. Honfleur