<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Associated Places London

Remove constraint Associated Places: London

Search Results

Group of English Children: Distant View of St. Paul's
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 1/8 inches (12.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Allen, active 1767–1772
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 3/4 x 7in. (24.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Smithfield
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 15/16 x 14 5/8 inches (32.9 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
The National Gallery
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Horse Guards
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Somerset House, London
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1910
Materials & Techniques:
Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Sir Christopher Wren
Creator:
Bruce Angrave, 1914–1983
Date:
1964
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 38 3/8 x 25 inches (97.5 x 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Men-of-War and other Shipping on the Thames (most probably at Deptford)
Creator:
Samuel Atkins, active 1787–1808
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 11 5/8 inches (10.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mornington Crescent
Creator:
Frank Auerbach, born 1931
Date:
ca. 1970
Materials & Techniques:
Oil pastel and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dorothy C. Weicker in honor and memory of her parents, Beatrice Trostel and Frederick E. Weicker, Yale BS 1931
Plan of the West India Docks
Creator:
Print made by Benjamin Baker, 1766–1841
Date:
1802
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Museum
Creator:
Carol Barker, born 1938
Date:
1969
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 38 7/8 x 24 15/16 inches (98.7 x 63.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broom House, Fulham, London
Creator:
William Augustus Barron, active 1777
Date:
1774
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doorway, Dean's Yard, Westminster
Creator:
Attributed to Sir Charles Barry, 1795–1860
Date:
1837
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: For the Benefit of Mr. Salomon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West view of St. Stephen's Chapel Westminster, Restored 1800
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1801
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1805
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 38 7/16 × 26 1/8 inches (97.6 × 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cassiobury Park / Hatfield House / Hampton Court / St. Albans
Creator:
Joan Beales, born 1926
Date:
1956
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 40 x 25 inches (101.6 x 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
London's Museums
Creator:
Joan Beales, born 1926
Date:
1955
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 40 1/16 x 25 inches (101.8 x 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Epping / Richmond / Whipsnade / Windsor
Creator:
Joan Beales, born 1926
Date:
1956
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 40 x 24 15/16 inches (101.6 x 63.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Buckingham Palace, the Royal Family Hosts Eleanor Roosevelt's Visit
Creator:
Cecil Beaton, 1904–1980
Date:
1942
Materials & Techniques:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 8 5/8 × 6 inches (21.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
No cover image available
Creator:
Cecil Beaton, 1904–1980
Date:
1940
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Frame: 15 5/8 × 13 1/4 × 7/8 inches (39.7 × 33.7 × 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.
Syon House
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Syon House: Chapel
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Syon House, London
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayhorse, Tattersall’s
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1921
Materials & Techniques:
Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A London Church
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1924
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1915
Materials & Techniques:
Black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sections of Room under Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan and View of Room under the Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Britain: Spearhead of Attack
Creator:
Donald Blake, 1908–1997
Date:
between 1939 and 1945
Materials & Techniques:
Lithograph on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 19 13/16 x 29 9/16 inches (50.3 x 75.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
Creator:
William Blake, 1757–1827
Date:
1819
Materials & Techniques:
Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 inches (15.6 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C., Yale BA 1968, and Mildred B. Marshall
Window in St. Dunstan's in the West, London
Creator:
Print made by J. Blore
Date:
1834
Materials & Techniques:
Lithograph with hand-coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 5 1/2 inches (21.9 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Vauxhall Garden
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Holbein's Gateway and Jones's Banqueting House, Whitehall...
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head Dresses in Covent Garden
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1747
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 × 7 1/4 inches (7.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Piccadilly Circus
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1915
Materials & Techniques:
Drypoint etching
Dimensions:
Sheet: 16 x 21 15/16 inches (40.6 x 55.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Somerset House
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Demolition of St. James's Hall, Interior
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery
The Building
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1904
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Inside of St. Martin's Church in the Fields
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Choir of St. Paul's Cathedral
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection