Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
2
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
3
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
4
Print made by Sir Frank Short, 1857–1945
High Tide on the Solway
1932
5
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
6
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
7
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
8
unknown artist
Visit to the Convent at Amiens
1803
9
unknown artist
Returning from a Review...Paris
1802
10
unknown artist
Inn Yard at Calais
1802
11
unknown artist
Breakfast at Breteuil
1801
12
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
13
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
14
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
15
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
16
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
17
Print made by Bradshaw & Blacklock, active ca.1850
Constantinople
after 1850
18
after George Baxter, 1804–1867
Prince Albert
after 1855
19
after George Baxter, 1804–1867
Prince Albert
after 1855
20
after George Baxter, 1804–1867
The Death of Ananias
after 1855
21
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
22
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
23
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
24
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
25
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
26
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
27
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
28
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Elizabeth Alexander
1806
29
Print made by Caroline Watson, 1760–1814
Contemplation
1790
30
Print made by Caroline Watson, 1760–1814
Contemplation
1790
31
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
32
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
33
Print made by Sir Frank Short, 1857–1945
Moonlight at Sea, Off the Isle of Wight
1896
34
Print made by Sir Frank Short, 1857–1945
Moonlight at Sea, Off the Isle of Wight
1896
35
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
36
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
37
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
38
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
39
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
40
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
41
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
42
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
43
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
44
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
45
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
46
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
47
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
48
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
49
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
50
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
51
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
52
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
53
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
54
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
55
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
56
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
57
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
58
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
59
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
60
Imitator of George Baxter, 1804–1867
The Bride, Paul and Virginia, the Chalees Satoon, East India
after 1850
61
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
62
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
63
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
64
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
65
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
66
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
67
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
68
Print made by Charles Howard Hodges, 1764–1837
Lady Dashwood & Child
1785
69
Print made by John Jones, ca. 1745–1797
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
1790
70
Print made by Caroline Watson, 1760–1814
Portrait of Mrs. Elizabeth Stanhope
1790
71
Print made by Jan van de Velde IV, ca. 1620–1686
Oliver Cromwell, P.R.O.C
ca. 1655
72
Print made by Jan van de Velde IV, ca. 1620–1686
Oliver Cromwell, P.R.O.C
ca. 1655
73
Print made by Caroline Watson, 1760–1814
Prince William Frederick of Gloucester
1784
74
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
75
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
76
Print made by Sir Frank Short, 1857–1945
'Twixt Dawn and Day
1919
77
unknown artist
Carlinan Mill, Iverary, Scotland
1811
78
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
79
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
80
Richard Gilson Reeve, 1803–1889
The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
1839
81
J. Hill, active 19th century
A Frigate in a Calm
1811
82
Frederick Christian Lewis the Elder, 1779–1856
Tivoli
1800
83
Print made by Sir Frank Short, 1857–1945
Dawn
1912
84
Richard Gilson Reeve, 1803–1889
The Great Western leaving Bristol for New York
1840
85
after unknown artist
Glen Crowe, Western Highlands, Scotland
1811
86
Print made by William Strang, 1859–1921
John Masefield No. 2
1912
87
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
88
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
89
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
90
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
91
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
92
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
93
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr