Materials & Techniques: etching (printing process) and wove paper / Credit Line: Yale Center for British Art, Paul Mellon Fund / Image Use: Free to Use

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851

Winchelsea, Sussex

1812

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

Print made by Edward Radclyffe, 1809–1863

Outskirts of the Forest

undated

Print made by Edward Radclyffe, 1809–1863

Changing Pasture

undated

Print made by Edward Radclyffe, 1809–1863

A Welsh Funeral

undated

Print made by Sir David Young Cameron, 1865–1945

Berwick; Printed with Counterproof of Dundee

1890

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by Charles Turner, 1774–1857

Age of Innocence

1836

Print made by John Jones, ca. 1745–1797

Muscipula

1786

Print made by Samuel Cousins, 1801–1887

The Pet Rabbit

1835

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by R. Clamp, fl.1789–1798

William Sommers, King Henry VIII's Jester

undated

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Print made by George Cruikshank, 1792–1878

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

after 1857

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Print made by unknown artist

The Young Roscius

1804

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

Print made by George Cruikshank, 1792–1878

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

after 1857

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Print made by Robert Graves, 1798–1873

William Esdaile

1826

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Print made by Paul Adolphe Rajon, 1842–1888

Charles Robert Darwin

1882

Print made by Henri Toussaint, 1849–1911

John Paul Jones

1906

Print made by James S. King, 1852–1925

Abraham Lincoln

1909

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by Peltro W. Tomkins, 1760–1840

Her Royal Highness the Princess Royal

1801

Print made by Alphonse Legros, 1837–1911

Thomas Carlyle

between 1852 and 1877

Print made by Pieter van den Berge, active 1689–1737

Girls Singing

undated

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Print made by Richard Earlom, 1743–1822

The Exposition of Cyrus

1781

Print made by Henry Dawe, 1790–1848

River Meuse

undated

Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802

Print made by Francesco Bartolozzi, 1728–1815

Lavinia, Countess Spencer, Viscountess Althorp

1787

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1803

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by James Barry, 1741–1806

St. Sebastian

undated