Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
6
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
7
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
8
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
9
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
10
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
11
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
12
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
13
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
14
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
15
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
16
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
17
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
18
Lt. Paul Sandby, ca. 1820
A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
ca. 1820
19
Lt. Paul Sandby, ca. 1820
A View of Carlisle Bay, Barbados, with Cottages
ca. 1820
20
Lt. Paul Sandby, ca. 1820
View of Carlisle Bay, Barbados, with Ships and Boat
ca. 1820
21
Sir George Howland Beaumont seventh Baronet, 1753–1827
Welsh Landscape
ca. 1800
22
unknown artist
Vale of Newlands, Cumberland
undated
23
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
24
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
25
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
26
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
27
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
28
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
29
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
30
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
31
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
32
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
33
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
34
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
35
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
36
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
37
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
38
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
39
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
40
John Thomas Smith, 1766–1833
The Smock Exposed
1817
41
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
42
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
43
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
44
John Thomas Smith, 1766–1833
The Reconcilation
1817
45
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
46
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
47
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
48
Lt. Paul Sandby, ca. 1820
Goat Hill and Ships
ca. 1820
49
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
50
Michel Jean Cazabon, 1813–1888
King's Wharf, and South Quay-Port of Spain
1851
51
Michel Jean Cazabon, 1813–1888
Custom House and St. Vincent's Wharf
1851
52
John Farey Jr., 1791–1851
Machinery for the Manufacture of Paper
ca. 1810
53
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
54
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
55
Thomas Grieve, 1799–1882
Design for Covent Garden Drop Curtain
1823
56
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
57
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
58
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
59
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
60
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
61
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
62
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
63
unknown artist
The Nile, Looking towards Nabia
ca. 1869
64
unknown artist
View of London from Richmond House, Whitehall
undated
65
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
66
Isaac Weld, 1774–1856
Capri
ca. 1818
67
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
68
Isaac Weld, 1774–1856
St. Martyns Bruche
ca. 1826
69
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
70
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
71
unknown artist
Indian Statue
undated
72
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
73
unknown artist
S. Simon Petrus
undated
74
unknown artist
Peter the Wild Boy
undated
75
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
76
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
77
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
78
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
79
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
80
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
81
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
82
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
83
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
84
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
85
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
86
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
87
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
88
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
89
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
90
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
91
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
92
C. John M. Whichelo, 1784–1865
Part of the Monastery of St. Saviours, Southwark
1809
93
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
94
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
95
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
96
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
97
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats