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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washMaterials & Techniques black ink
Remove constraint Materials & Techniques: black inkPeriod 19th century
Remove constraint Period: 19th centuryWork Type watercolor
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1
- A Harrow in the Orchard
- ca. 1896
2
- A Cottage among Trees, Shoreham
- undated
3
- An Ancient Barn at Shoreham
- undated
4
- Opening the Fold: Early Morning
- ca. 1880
5
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
6
- A Castle at the Waterside by Moonlight
- undated
7
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
8
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
9
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
10
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
11
- Study for The Woodman's Daughter
- 1849
12
- Two Trees
- undated
13
- Custom House and St. Vincent's Wharf
- 1851
14
- Village of Arima and Mount Tamana
- 1851
15
- View from Laventille Hill
- 1857
16
- The Road to the Pitch Lake
- 1857
17
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
18
- The Eleventh Hour
- 1817
19
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
20
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820
21
- Welsh Landscape
- ca. 1800
22
- The Search after Truth
- undated
23
- The Spoiled Child, Scene V
- ca. 1802
24
- The Spoiled Child, Scene VI
- ca. 1802
25
- Snowdon, an Approaching Storm
- 1853
26
- Edinburgh Castle and Horse Fair
- ca. 1828
27
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
28
- The Wreck of the Apollo Frigate, 1803
- undated
29
- Henry Fuseli
- undated
30
- Garden Estate, Arouca
- 1857
31
- Avenue and Entrance to St. James Barracks
- 1857
32
- Los Gallos, Icacos Bay
- 1857
33
- Corbeaux Town, Port of Spain
- 1857
34
- Residence at Orange Grove Estate, Tacarigua
- 1857
35
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
36
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
37
- The Governor's Residence, St. Anns
- 1851
38
- Cascade at St. Anns
- 1851
39
- The Pitch Lake
- 1857
40
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
41
- Pale Melancholy
- ca. 1804
42
- Quay at Dartmouth
- 1823
43
- Be it ever so Humble, There's no place like Home
- undated
44
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
45
- Simplon (Switzerland)
- ca. 1817
46
- Funeral Procession at Rome
- 1818
47
- St. Martyns Bruche
- ca. 1826
48
- The Mother's Portrait
- undated
49
- Capri
- ca. 1818
50
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
51
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
52
- Landscape with Waterfall
- undated
53
- Indian Statue
- undated
54
- Peter the Wild Boy
- undated
55
- S. Simon Petrus
- undated
56
- Design for London Bridge Approach
- between 1827 and 1835
57
- Design for Grosvenor Bridge, Chester
- ca. 1825
58
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
59
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
60
- Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
- 1802
61
- Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
- 1802
62
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
63
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
64
- Design for London Bridge Approach
- between 1827 and 1835
65
- Machinery for the Manufacture of Paper
- ca. 1810
66
- The Lady at the Dressing Table
- ca. 1897
67
- Design for Covent Garden Drop Curtain
- 1823
68
- Part of Goodrich Castle
- 1842
69
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
70
- Design for a Country House
- undated
71
- Siege at Badajoz
- ca. 1813
72
- High Street at Bushey, Hertfordshire
- 1812
73
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
74
- Beauvais
- ca. 1831
75
- Sarcophagus in a Church
- May 10, 1806
76
- Study of a Thistle and Other Plants, Sept. 8
- early 19th century
77
- The Spoiled Child, Scene III
- ca. 1802
78
- The Spoiled Child, Scene IV
- ca. 1802
79
- The Spoiled Child, Scene II
- ca. 1802
80
- The Spoiled Child, Scene I
- ca. 1802
81
- King's Wharf, and South Quay-Port of Spain
- 1851
82
- The Bocas from the Old Fort, Macqueripe
- 1857
83
- Riverside, St. Joseph
- 1857
84
- Cedros Bay
- 1857
85
- St. James' Barracks from the Playground of the Model School
- 1857
86
- The Cottage, Residence of the Governor
- 1857
87
- Forest Scenery near Tamana
- 1857
88
- The Reservoir at Maraval
- 1857
89
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
90
- Hogarth Declaring His Love to Miss Thornhill
- 1817
91
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
92
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
93
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
94
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
95
- The Smock Exposed
- 1817
96
- The Reconcilation
- 1817
97
- Hogarth Drawing Sarah Malcolm
- 1817
98
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
99
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
100
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817