Etched by Joseph Mallord William Turner, 1775–1851
Peat Bog, Scotland
1812
17
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
18
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
19
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
20
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
21
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
22
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
23
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
24
attributed to Francis Place, 1647–1728
Dunbar Castle and the Bass Rock
undated
25
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
26
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
27
Paul Drury, 1903–1987
After Work
1926
28
Paul Sandby, 1731–1809
Lord Hopetoun's Lead Mines
1751
29
John Webber, 1752–1793
View in the Island of Cracatoa
undated
30
Print made by Francis E. Adams, active ca.1760–1775
Heyday! Is This My Daughter Anne!
1773
31
Print made by Jacob Gole, 1660–1737
Augustus
undated
32
Print made by Cornelis Dusart, 1660–1704
The Patriotic Peasant
1695
33
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
34
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
35
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
36
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
37
John James Barralet, 1747–1815
View of Lucan House
1782
38
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
39
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
40
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
41
James Bruce, 1730–1794
Figures in a Landscape
undated
42
unknown artist
Landscape with Lake and Figures on a Rocky Road
1777
43
Benjamin West, 1738–1820
Study of Trees
undated
44
Benjamin West, 1738–1820
Landscape at Henstead
undated
45
Benjamin West, 1738–1820
A Ford at Wrentham, Suffolk
undated
46
Mary Mitford, active 1770
On the Seine
1770
47
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
48
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
49
Charles Towne, 1763–1840
Woman with Cattle
1803
50
C. Waller, active 1785–1788
Newark Castle
between 1785 and 1795
51
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
52
Paul Sandby, 1731–1809
Romantic Landscape - Peasants at the Foot of a Castle on a Crag
undated
53
Peter Tillemans, 1684–1734
Figures in a Landscape by a River
undated
54
Peter Tillemans, 1684–1734
Landscape with two figures in the foreground
undated
55
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
56
Richard Westall, 1765–1836
Conversation on a Country Road
1799
57
Richard Westall, 1765–1836
Wanstead House
undated
58
William Pars, 1742–1782
A View at Lucerne
1775
59
Print made by John Browne, 1741–1801
The Sportsman
1775
60
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
61
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
62
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
63
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
1786 to 1819
64
Sir Richard Colt Hoare, 1758–1838
A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
1786 to 1819
65
Sir Richard Colt Hoare, 1758–1838
The Town and Lake of Nemi, in Italy
1786 to 1819
66
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
67
Sir Richard Colt Hoare, 1758–1838
View of Vicovaro, obin, Vicus Varii
1786 to 1819
68
Sir Richard Colt Hoare, 1758–1838
Neptune's Grotto at Tivoli
1786 to 1819
69
unknown artist
A Wood Stream with Angler
undated
70
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
71
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
72
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
73
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
74
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
75
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
76
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
77
Print made by George Arnald, 1763–1841
Choquer
1821
78
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
79
Joseph Edward Southall, 1861–1944
At the Cottage Gate, July 16, 1906
1906
80
John James Barralet, 1747–1815
Landscape with Ledbury Church Spire
undated
81
George Barret, ca. 1728/32–1784
The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road
undated
82
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
83
John Griffiths, active 1764–1774
The Open-Air Preacher
undated
84
Samuel Howitt, 1756–1822
The Stone Gatherers
undated
85
George Barret, ca. 1728/32–1784
Timber Wain on a Rough Road (one of a pair)
undated
86
Sir Walter Thomas Monnington, 1902–1976
Leyswood Cottage with Tubs
undated
87
Jacob More, 1740–1793
A View at Terracina
1778
88
John James Barralet, 1747–1815
Ledbury Church and Village, Herefordshire
undated
89
John Glover, 1767–1849
River with Fishermen
1792
90
John Glover, 1767–1849
Man Sleeping Outdoors
undated
91
George Barret Jr., 1767–1842
Figures on the Bank of a Wooded Lane, with Sea in Distance Left
undated
92
Attributed to William Frederick Wells, 1762–1836
Landscape with Figures and Cattle
1787
93
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower