Materials & Techniques: line engraving / Period: 19th century / Image Use: Free to Use

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Elevations

undated

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1807

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by Joseph Skelton, active 1820–1850

View of the Chapel and Hall of Oriel College

1801

Print made by James Basire the younger, 1769–1822

Seals of Whalley Abbey

1800

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of Exeter College, All Saints Church, from the Turl

1806

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by James Basire the younger, 1769–1822

Cloisters of Whalley Abbey

1800

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by James Basire the younger, 1769–1822

Distant View of Whalley Abbey

1800

Print made by James Basire the younger, 1769–1822

Whalley Abbey (nearer view)

1800

Print made by James Basire the younger, 1769–1822

Browsholme

1800

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Edward Goodall, 1795–1870

A Villa on the Night of a Festa di Ballo

1830

Print made by Daniel Allen, active 1830s

Cristina

1830

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Print made by Edward Alfred Goodall, 1819–1908

Ginevra

1830

Print made by Edward Alfred Goodall, 1819–1908

A Tournament in St. Mark's Place

1830

Print made by William Finden, 1787–1852

Jorasse

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by Daniel Allen, active 1830s

A Rural Entertainment

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Print made by William Finden, 1787–1852

An Arrival

1830

Print made by Robert Wallis, 1794–1878

Petrarch's Tomb

1830

Print made by Samuel Davenport, 1783–1867

The Blind Harper

1830

Print made by John Henry Robinson, 1796–1871

Children on the Sea Shore

1830

Print made by Daniel Allen, active 1830s

Travelling Monks

1830

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

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Materials & Techniques line engraving

Period 19th century

Image Use Free to Use

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Period 19th century

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