Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
4
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
5
Edward Lear, 1812–1888
Boats on the Nile
1867
6
Edward Lear, 1812–1888
Shelaal
1867
7
Edward Lear, 1812–1888
Near Korosko
1867
8
Edward Lear, 1812–1888
Wady Halfeh
1867
9
Edward Lear, 1812–1888
Near Bajoura
1867
10
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
11
Edward Lear, 1812–1888
Boats on the Nile
1867
12
Edward Lear, 1812–1888
Below Rabat, Malta
1866
13
Edward Lear, 1812–1888
El Ousta
1854
14
Edward Lear, 1812–1888
Harb. Gozo
1866
15
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
16
Edward Lear, 1812–1888
Howatke
1867
17
Edward Lear, 1812–1888
Qaw el Kebir
1867
18
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
19
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
20
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
21
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
22
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
23
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
24
Edward Lear, 1812–1888
Studies of Camels
January to April 1867
25
Edward Lear, 1812–1888
Between Bir El Abt
1867
26
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
27
Edward Lear, 1812–1888
El Areesh
1867
28
Edward Lear, 1812–1888
Near Khan Yunas
1867
29
Edward Lear, 1812–1888
Boats
1867
30
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
31
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
32
Edward Lear, 1812–1888
Avenue of Trees
1867
33
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
34
Edward Lear, 1812–1888
Study of figures and a camel
1867
35
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
36
Edward Lear, 1812–1888
Near Belbeis
1867
37
Edward Lear, 1812–1888
Belbeis
1867
38
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
39
Edward Lear, 1812–1888
Salahiyeh
1867
40
Edward Lear, 1812–1888
Kurayim
1867
41
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
42
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
43
Thomas Heaphy, 1775–1835
Inattention
1808
44
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
45
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
46
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
47
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
48
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
49
Paul Arthur Hogarth, 1917–2001
Peep Show / 42 Street
undated
50
Paul Arthur Hogarth, 1917–2001
Liverpool Street A.M
undated
51
attributed to Angelica Kauffmann, 1741–1807
Scene in a Roman Prison
undated
52
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
53
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
54
Robert Dighton, 1752–1814
Bachelor's Hall
undated
55
Peter La Cave, active 1769–1810
Haymakers
undated
56
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
57
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
58
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
59
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
60
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
61
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
62
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
63
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
64
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
65
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
66
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
67
unknown artist
Thatched Roof and Tree
undated
68
Thomas Rowlandson, 1756–1827
The Picnic
undated
69
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
70
John Linnell, 1792–1882
Woodcutters in a Forest
undated
71
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
72
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
73
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
74
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
75
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
1841
76
John Nixon, ca. 1760–1818
Brighton Races
1805
77
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
78
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
79
Benjamin West, 1738–1820
A Farm near Windsor
1789
80
Sir David Wilkie, 1785–1841
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
undated
81
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
82
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
83
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
84
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
85
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
86
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
87
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
88
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
89
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
90
John Thomas Smith, 1766–1833
The Reconcilation
1817
91
John Thomas Smith, 1766–1833
The Smock Exposed
1817
92
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
93
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
94
Benjamin West, 1738–1820
Mother and Child with Young Boy Leaning on Window Sill