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Materials & Techniques wove paper

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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Image Available Available

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Subject Terms horses (animals)

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Search Results

John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Philippe-Jacques de Loutherbourg The Encampment
Philippe-Jacques de Loutherbourg, 1740–1812
The Encampment
undated
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
unknown artist Horses, Cow and Men
unknown artist
Horses, Cow and Men
undated
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
Thomas Stothard For the Triumph of Britannia
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
William Simpson The Dilkoosha, Lucknow in the Distance
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
Edward Francis Burney Mary, Queen of Scots
Edward Francis Burney, 1760–1848
Mary, Queen of Scots
undated
George Belton Moore A Proposed plan for Trafalgar Square
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
Sir Richard Westmacott The Good Samaritan
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
Thomas Hearne Unloading Pit Props at Coalbrookdale
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
John Frederick Lewis Figures and Animals in a Vineyard
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
Godfrey Thomas Vigne Cerco de Paro, Lima
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
Thomas Gisborne Men Loading a Cart Beside a River
Thomas Gisborne, active 1798
Men Loading a Cart Beside a River
undated
James Gray Mayhew Two Horsemen
James Gray Mayhew, 1771–1845
Two Horsemen
undated
unknown artist The Globe Inn
unknown artist
The Globe Inn
undated
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
Robert Hills A Village Snow Scene
Robert Hills, 1769–1844
A Village Snow Scene
1819
Justinian Gantz The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
1845
Thomas Rowlandson The London Citizen
Thomas Rowlandson, 1756–1827
The London Citizen
undated
Thomas Rowlandson Doctor Syntax loses his Money on the Race Ground at York
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
Thomas Rowlandson Attendance on a Nobleman
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
Peter DeWint Harvesters in Landscape in Sussex
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
Thomas Rowlandson A Phaeton and Six
Thomas Rowlandson, 1756–1827
A Phaeton and Six
undated
Thomas Rowlandson A Livery Stable
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
Thomas Rowlandson Newbury Market Place, Berkshire
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
George C. Finden A Mythological Battle
George C. Finden, 1811–1885
A Mythological Battle
1853
Thomas Rowlandson Stag at Bay - Scene near Taplow, Berks.
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
Alfred W. Cooper A-Hunting We Will Go
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go
undated
Charles Heath Tower Hill
Charles Heath, 1785–1848
Tower Hill
1825
Lawrence Josset The Drummond Family
Lawrence Josset, 1910–1995
The Drummond Family
1960
George Baxter Funeral of the Late Duke of Wellington
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
Bradshaw & Blacklock Osborne House
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
Thomas Shotter Boys Corner of the Palais de Justice, Paris
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
Gregory, Collins and Reynolds The Religion of Europe: Professed and Practiced
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
Richard Parkes Bonington Eglise de St. Jean a Lyons
Print made by Richard Parkes Bonington, 1802–1828
Eglise de St. Jean a Lyons
ca. 1824
Cecil Charles Windsor Aldin Up and Over
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
John Frederick Tayler Hunting Scene: The Meet
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
unknown artist Morning
unknown artist
Morning
1799
Henry Thomas Alken "Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
Henry Thomas Alken "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
Thomas Rowlandson Evading the Toll
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
Hablot Knight Browne The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
Hablot Knight Browne The Sporting Parson: "He Sheweth Them the Way They Should Go"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
George Alken Releasing a Bag-Fox
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
Henry Thomas Alken Two Riders Exercising Horses at a Gallop
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
Henry Thomas Alken Drawing Covert
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
Henry Thomas Alken Full Cry
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
Hablot Knight Browne The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
Henry Thomas Alken The Death
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
Henry Thomas Alken Gone Away
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
Henry Thomas Alken Two Riders Jumping a Wooden Fence
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
Henry Thomas Alken Gone Away
Henry Thomas Alken, 1785–1851
Gone Away
undated
Henry Thomas Alken Jumping a Low Rail and a Brook
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
Henry Thomas Alken Steeplechasing: Five Riders Galloping Right
Henry Thomas Alken, 1785–1851
Steeplechasing: Five Riders Galloping Right
undated
Henry Thomas Alken Jumping a Wooden Fence
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
Henry Thomas Alken Steeplechasing: The Field Jumping in and Out of a Lane
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
Henry Thomas Alken Steeplechasing: Four Riders Taking a Ditch and an Oxer
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
Henry Thomas Alken Steeplechasing: The Field taking a Stone Wall and Gate
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
Henry Thomas Alken Steeplechasing: The Field taking a Low Rail and a Brook
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
unknown artist The Race
unknown artist
The Race
ca. 1850
Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832