David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
19
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
20
Print made by Day & Co., 1824–1913
Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
1839
21
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
22
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
23
Print made by William Day, 1764–1807
The High Street, Southampton
1828
24
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
25
Charles Heath, 1785–1848
Tower Hill
1825
26
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
27
Print made by Richard Parkes Bonington, 1802–1828
Façade St. Jean
ca. 1824
28
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
29
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
30
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
31
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
32
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
33
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
34
Robert Hills, 1769–1844
A Village Snow Scene
1819
35
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
36
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
37
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
38
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
39
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
40
Print made by Richard Parkes Bonington, 1802–1828
Eglise de St. Jean a Lyons
ca. 1824
41
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
42
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
43
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
44
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
45
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
46
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
47
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
48
Print made by William John Cooke, 1797–1865
Worcester
undated
49
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
50
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
51
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
52
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
53
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
54
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
55
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
56
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
57
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
58
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
59
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
60
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
61
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
63
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
64
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
65
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
66
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
67
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
68
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
69
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
70
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
71
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
72
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
73
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
74
Sir Alfred J. Munnings, 1878–1959
Horse Fair in East Anglia
1899
75
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
76
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
77
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
78
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
79
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
80
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
81
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
82
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
83
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
84
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
85
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
86
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
87
unknown artist
The Race
ca. 1850
88
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
89
Henry Thomas Alken, 1785–1851
The Night Riders of Nacton: The Last Field near Nacton Heath
undated
90
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
91
Samuel Alken, 1756–1815
Trying the Mare
1813
92
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Leading Out Hounds
undated
93
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
94
Charles B. Newhouse, fl. c.1820–1836
An Elopement by Moonlight
1834
95
Charles B. Newhouse, fl. c.1820–1836
The London-Dumphries Royal Mail
between 1830 and 1840
96
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom