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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperPeriod 18th century
Remove constraint Period: 18th centurySubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- A Great Tree
- ca. 1796
2
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
3
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
4
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
5
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
6
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
7
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
8
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
9
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
10
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
11
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
12
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
13
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
20
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
21
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
25
- Study of a Seated Lady
- ca. 1740
26
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
27
- The Cheesecake House, Hyde Park
- ca. 1795
28
- Mrs. James Paine, Newman Street
- 1781
29
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
30
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
31
- Study of a Seated Woman Holding a Fan
- ca. 1740
32
- St Agnes (after Domenichino)
- undated
33
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
34
- Italianate Landscape with Travellers no. 2
- ca. 1760
35
- A Fisherwoman, Hands under Apron
- undated
36
- Allegorical Subject
- undated
37
- London Cries: Last Dying Speech and Confession
- ca. 1759
38
- Design for a Ceiling Decoration
- 1723
39
- Brighton Town and Church
- ca. 1780
40
- Mrs. Ives of Catton
- 1780
41
- Head of a Young Woman or Man
- undated
42
- Couple in a Farmyard
- 1782
43
- Mrs. Wodhull
- 1772
44
- Lavinia, Countess Spencer, Viscountess Althorp
- 1787
45
- The Runaway Coach
- ca. 1791
46
- Four O'Clock in the Country
- between 1788 and 1790
47
- Angelica Kauffman
- 1780
48
- Melville Castle, Midlothian
- ca. 1796
49
- Italian sketchbook
- 1754
50
- George Jamesone
- undated
51
- Study of a Draped Classical Torso
- undated
52
- La Soeur
- undated
53
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
54
- Mrs. Beale and her Son Charles
- 1762
55
- Mrs. Beale and her Son Charles
- 1762
56
- Labourers at Rest
- between 1790 and 1795
57
- The Love Letter
- ca. 1790
58
- The Elopement
- 1792
59
- Saint Cuthbert's Holy Island
- 1797
60
- Cottage near Newcastle, Northumberland
- ca. 1797
61
- A Devonshire Farm
- ca. 1798
62
- Sincerity
- 1781
63
- Miss Anna Brunton
- 1785
64
- Maria Cosway
- 1785
65
- Mrs. Lenox
- 1792
66
- Virtuous Love
- 1793
67
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
68
- Miss Price
- 1792
69
- Georgiana, Countess Spencer
- 1783
70
- The Watercress Girl
- 1796
71
- Sunday Morning, A Cottage Family Going to Church
- 1795
72
- Study of a Classical Female Figure
- undated
73
- Mrs. Abington as Thalia
- 1783
74
- Credulity
- 1796
75
- Mrs. Pope, Daughter of Samuel Cooper, Painter; & Mother of Alexander Pope
- 1774
76
- The Discovery
- 1788
77
- The Oyster Woman
- 1769
78
- In Her Love-Darting Eyes Awakes the Fires
- between 1735 and 1757
79
- Queen Charlotte
- 1794
80
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
81
- The Letter Woman
- ca. 1769
82
- Sensibility
- 1789
83
- Mrs. Baddely
- 1772
84
- Susanna and the Elders
- 1769
85
- Juno
- undated
86
- La Surprise
- 1827
87
- Portrait of a Lady, Facing Left
- undated
88
- Portrait of a Lady, Facing Front
- undated
89
- Sketches of Mother and Child and Sketch of an Arm
- undated
90
- Lady Hamilton and Dog
- after 1785
91
- Lady Macbeth, Sleepwalking
- 1781
92
- Imogen in the Cave, 'Cymbeline', Act III, Scene VI
- 1782
93
- Bay Scene in Moonlight
- 1787
94
- Man Holding a Claude Glass
- undated
95
- Portrait of an Elderly Lady
- 1796
96
- Haweswater, Westmoreland
- ca. 1795
97
- Ferdinand and Ariel
- ca. 1781
98
- Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
- 1781
99
- Portrait of Miss Lysons
- 1795
100
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792