Creator Gender: male / Date: 1802 - YCBA Collections Search Search Results

1. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Chateaux de St. Michael, Bonneville, Savoy

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Lake Geneva and Mount Blanc

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1805
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:: Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. An Ornithologist, Possibly John Latham

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 58 x 58 inches (147.3 x 147.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Nine Greyhounds in a Landscape

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/16 x 29 7/8 inches (63.7 x 75.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Avenue with Figures

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Oil on paper
Dimensions:: 9 1/4 x 7 3/4 inches (23.5 x 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

Creator:: Benjamin Marshall, 1768–1835
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 14 5/8 inches (46.4 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An Overshot Mill

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 10 7/8 x 13 1/8 inches (27.6 x 33.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Lambeth Palace from the West

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 24 inches (45.7 × 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Thames at Isleworth

Creator:: John Glover, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Watercolor and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 26 7/8 x 40 1/8 inches (68.3 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Creator:: Samuel De Wilde, 1748–1832
Date:: 1802
Materials & Techniques:: Graphite, red chalk, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 13 1/16 inches (23 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Zebra

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 3/8 inches (9.8 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Crane

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Three Toucans

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 6 1/2 inches (32.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 5 3/4 inches (23.5 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Heads of Two Proboscis Monkeys

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 3/16in. (8.6 x 13.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Prior, Love Disarmed, vol. II

Creator:: John Scott, 1774–1828
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

Creator:: unknown artist
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

46. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Lane with Figures, May 1802

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Tygwyn Ferry

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 14 1/2 inches (22.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View of Chepstow Castle, Monmouthshire, from Under the Bridge

Creator:: John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View of the Pantheon from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Abbey Barn, Abbotsbury

Creator:: John William Upham, 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

Creator:: Paul Sandby, 1731–1809
Date:: 1802
Materials & Techniques:: Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Carnarvon Castle

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 12 5/8 inches (23 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. The Cottar's Door

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Saint Peter's Church, Hereford, from Butcher's Row

Creator:: follower of John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 22 5/8 inches (40 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/4 x 14 1/8in. (26 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

60. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Study of a Tree

Creator:: Print made by Raphael Lamar West, 1769–1850
Date:: 1802, published 1807
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

Creator:: Thomas Stothard, 1755–1834
Date:: 1802 - 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Henry Tresham, Esq, R.A.

Creator:: Print made by George Chinnery, 1774–1852
Date:: 1802
Materials & Techniques:: Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Francis Wheatley, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. He Was Wounded For Our Transgressions

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

67. View of London, taken from Albion Place, Blackfryar Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 x 13 3/8in. (22.9 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

70. Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

71. Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

72. Brickmakers

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 13 3/8 x 9 1/2in. (34 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

73. Miscellaneous Figures

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

74. The Cunning Gypsy

Creator:: Print made by William T. Annis, active 1798–1811
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 21 3/4in. (45.4 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Henry Howard

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 1/8 inches (45.5 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of the Village of Chaillot &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Nathaniel Marchant, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/8 x 11 1/4 inches (43.5 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

100. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Date 1802

Search Results

1. Lane near Dedham

2. Dedham Vale

3. Tummel Bridge, Perthshire

4. Chateaux de St. Michael, Bonneville, Savoy

5. Lake Geneva and Mount Blanc

6. An Ornithologist, Possibly John Latham

7. Landscape with Cottages

8. Nine Greyhounds in a Landscape

9. Avenue with Figures

10. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

11. An Overshot Mill

12. Lambeth Palace from the West

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

14. Inside View of the East End of Merton College Chapel

15. Durham Cathedral

16. The Thames at Isleworth

17. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

18. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

19. Zebra

20. A Crane

21. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

22. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

23. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

24. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

25. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

26. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

27. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

28. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

29. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

30. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

31. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

32. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

33. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

34. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

35. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

36. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

37. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

38. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

39. Three Toucans

40. A Parrot

41. A Parrot

42. Heads of Two Proboscis Monkeys

43. A Parrot

44. Prior, Love Disarmed, vol. II

45. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

46. Tiger Hunting in the East Indies

47. The Snake in the Grass

48. Lane with Figures, May 1802

49. Tygwyn Ferry

50. View of the Pantheon, Paris

51. The Poor House, Hadley, Hertfordshire

52. View of Chepstow Castle, Monmouthshire, from Under the Bridge

53. View of the Pantheon from the Arsenal

54. The Abbey Barn, Abbotsbury

55. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

56. Carnarvon Castle

57. The Cottar's Door

58. Saint Peter's Church, Hereford, from Butcher's Row

59. Lord Hugh Seymour

60. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

61. Study of a Tree

62. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

63. Henry Tresham, Esq, R.A.

64. Francis Wheatley, R.A.

65. He Was Wounded For Our Transgressions

66. A Landscape, with the Story of Europa

67. View of London, taken from Albion Place, Blackfryar Bridge

68. Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)

69. Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

70. Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

71. Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

72. Brickmakers

73. Miscellaneous Figures

74. The Cunning Gypsy