A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
2
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
3
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
4
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
5
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
6
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
7
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
10
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
11
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
12
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
13
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
15
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
16
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
20
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
21
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
22
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
23
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
24
Print made by John Thomas Smith, 1766–1833
Ceiling of the Star Chamber
1805
25
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
26
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
27
Print made by unknown artist
Chance. The London Firemen's Dog
1834
28
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
29
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Westminster
ca. 1845
30
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
31
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
32
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
33
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
34
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
36
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
37
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
38
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
39
Augustus Welby Northmore Pugin, 1812–1852
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
40
Augustus Welby Northmore Pugin, 1812–1852
Design for Branch for the Speaker's Chair
undated
41
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
42
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
43
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
44
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
45
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
46
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
48
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
49
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
51
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
52
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
53
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
54
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
55
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
56
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
57
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
59
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
60
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
61
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
62
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
63
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
64
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
65
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
66
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
67
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
68
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
69
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
70
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
71
unknown artist
Exterior of Painted Chamber, North View
undated
72
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
74
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
75
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
76
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
77
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
78
unknown artist
Grave of the Supposed William Lyndewode
1852
79
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
80
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
81
Print made by Charles J. Hullmandel, 1789–1850
Henry the Seventh's Chapel, North Side
undated
82
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
83
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
84
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
85
unknown artist
Henry VII Chapel, Westminster Abbey
undated
86
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
87
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
88
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
89
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
90
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
91
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
92
Print made by unknown artist
Houses of Parliament
undated
93
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
95
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
96
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet