A Morning at Tattersalls (with further sketches in left margin folded over)
undated
7
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
8
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
9
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
10
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
11
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
19
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
20
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
21
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
22
John James Barralet, 1747–1815
View of Lucan House
1782
23
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
24
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
25
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
26
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
27
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
28
Paul Sandby, 1731–1809
The Light Dragoons
undated
29
Paul Sandby, 1731–1809
Bayswater - London
undated
30
George Sidney Shepherd, 1784–1862
Finsbury Square
1814
31
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
32
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
33
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
34
James Gray Mayhew, 1771–1845
Two Horsemen
undated
35
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
36
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
37
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
38
Philippe-Jacques de Loutherbourg, 1740–1812
The Encampment
undated
39
unknown artist
Horses, Cow and Men
undated
40
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
41
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
42
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
43
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
44
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
45
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
46
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
47
unknown artist
The Globe Inn
undated
48
Robert Hills, 1769–1844
A Village Snow Scene
1819
49
unknown artist
Design for the Parterre at Hampton Court
early 18th century
50
Joseph Nash, 1808–1878
Sketches of Towns People
1827
51
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
52
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
53
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
54
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
55
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
56
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
57
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
58
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
59
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
60
Sir James Thornhill, 1675–1734
Neptune
undated
61
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
62
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
63
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
64
William Beilby, 1740–1819
Brick Bridge
undated
65
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
66
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
67
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
68
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
69
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
70
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
71
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
72
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
73
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
74
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
75
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
76
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
77
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
78
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
79
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
80
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
81
George Denholm Armour, 1864–1949
Insult to Injury
undated
82
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
83
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
84
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
85
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
86
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
87
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
88
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
89
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
90
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
93
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
94
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
100
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'