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John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Crocks
Robert Polhill Bevan, 1865–1925
Crocks
ca. 1924
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
Charles Gore Gate Toward Bursit, Aix-la-Chappelle
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
Samuel Howitt Landscape with Hay Cart before a Cottage
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
unknown artist A View of Several Palaces at Naples at Sun Rise
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
Godfrey Thomas Vigne Cerco de Paro, Lima
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
Thomas Rowlandson View on Exmoor
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
Thomas Rowlandson Interior of a Stable
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
Paul Sandby The Light Dragoons
Paul Sandby, 1731–1809
The Light Dragoons
undated
Paul Sandby Bayswater - London
Paul Sandby, 1731–1809
Bayswater - London
undated
George Sidney Shepherd Finsbury Square
George Sidney Shepherd, 1784–1862
Finsbury Square
1814
James Ward Elijah Casting off His Mantle
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Samuel Prout Sketches of Peasants and Work-Horses
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
James Gray Mayhew Two Horsemen
James Gray Mayhew, 1771–1845
Two Horsemen
undated
Edward Francis Burney Boarding the Ferry
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
Thomas Malton Winchester Tower, Windsor Castle
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Philippe-Jacques de Loutherbourg The Encampment
Philippe-Jacques de Loutherbourg, 1740–1812
The Encampment
undated
unknown artist Horses, Cow and Men
unknown artist
Horses, Cow and Men
undated
Henry William Bunbury A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
Francis Wheatley Donnybrook Fair
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
Edmund Thomas Parris Sketches from Life
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
Edmund Thomas Parris Studies of Figures: Women, Tradespeople, etc.
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Thomas Stothard For the Triumph of Britannia
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
unknown artist The Globe Inn
unknown artist
The Globe Inn
undated
Robert Hills A Village Snow Scene
Robert Hills, 1769–1844
A Village Snow Scene
1819
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
John Frederick Lewis Figures and Animals in a Vineyard
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
Thomas Hearne Leeds Castle, Kent
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
Thomas Hearne The Gateway of Lancaster Castle
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
Thomas Hearne Unloading Pit Props at Coalbrookdale
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
Paul Sandby Group of Figures: A Dogfight
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
Sir James Thornhill Neptune
Sir James Thornhill, 1675–1734
Neptune
undated
William Simpson The Dilkoosha, Lucknow in the Distance
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
Thomas Stothard Study for the Wellington Shield
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
John Henry Müntz Landscape with Sportsman and Guns
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
William Bradford Pass in the Mountains Between Nisa and Villa Velha
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
Thomas Bradshaw Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
Henry Thomas Alken Shot from a Gun
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
Thomas Shotter Boys Regent Street, Looking Toward Piccadilly From Waterloo Place
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
John Robert Cozens Bath: The Circus
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
Johann Jacobus Haid Le depart de l'Enfant Prodigue
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
Frederik Christiaan Bierweiler De Kruisiging
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
Sir Muirhead Bone A Manhattan Excavation
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
Cecil Charles Windsor Aldin Up and Over
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
Cecil Charles Windsor Aldin `Ar Never Gets Off' - Hunting Scene
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
George Denholm Armour Insult to Injury
George Denholm Armour, 1864–1949
Insult to Injury
undated
James Pollard The North Country Mails at The Peacock Inn, Islington
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated