Collection: Prints and Drawings - YCBA Collections Search Search Results

Charles Johnson Payne "Snaffles", 1884–1967

"Settn 'em Alight", "Are you Ready?", "Go", and "Heaven be with You"

undated

Alfred Parsons, 1847–1920

"She Stoops to Conquer" Act 3, Act 5

undated

unknown artist

"Sheppon Fields"

1846

unknown artist

"Shoeing the Bay Mare"

1899

Sir Peter Blake, born 1932

"Side Show" Portfolio

between 1974 and 1978

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting a Dive

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting a Fall

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Home

between 1820 and 1821

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

between 1848 and 1851

Gustav Kuhn, 1872–ca. 1928

"Sommernachtstraum": Theatre-figuren

Henry Thomas Alken, 1785–1851

"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'

undated

Henry Thomas Alken, 1785–1851

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

undated

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

undated

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

undated

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

undated

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

undated

Henry Thomas Alken, 1785–1851

"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'

undated

Henry Thomas Alken, 1785–1851

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Hablot Knight Browne, 1815–1882

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

undated

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Print made by George Cruikshank, 1792–1878

"That aint him!"

undated

Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Bradford Rudge, 1805–1885

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

undated

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

John Vanderbank, 1694–1739

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

1729

Henry Thomas Alken, 1785–1851

"The Cover Hack"

1827

James Gillray, 1756–1815

"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar

1797

John Vanderbank, 1694–1739

"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."

1729

Henry Heath "The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park...

Henry Heath, active 1824–1835

"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..

undated

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

Robert Dighton, 1752–1814

"The King and Noblemen Before the Stag is Turn'd Out"

undated

John Vanderbank, 1694–1739

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

1729

Print made by Thomas Bewick, 1753–1828

"The Mute Swan" or "Tame Swan"

undated

Henry Thomas Alken, 1785–1851

"The National Sports of Great Britain" 1821: Badger Catching

1821

Henry Thomas Alken, 1785–1851

"The National Sports of Great Britain," 1821: Owling

1821

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

C. Blake, active 1825–1826

"The Poacher's Progress:" 'Poachers Snaring Pheasants'

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" 'Poachers Stalking for Partridges'

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers Before the Magistrates

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers in Prison (The Pardon)

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

undated

unknown artist

"The Prince Albert in a Dangerous Position" / "Advance and Rescue Drifting"

undated

Leslie Matthew 'Spy' Ward, 1851–1922

"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair

1905

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

William Blake, 1757–1827

"There is No Natural Religion", London, by William Blake

ca. 1788

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Sir Alfred J. Munnings, 1878–1959

"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right

undated

Henry Thomas Alken, 1785–1851

"Topping a Park fence and doing the thing easy"

1827

Mary Nimmo Moran, 1842–1899

"Tween the Gloamin' and the Mirk, When the Kye Come Hame"

1883

Mary Nimmo Moran, 1842–1899

"Tween the Gloamin' and the Mirk, When the Kye Come Hame"

1883

James Gillray, 1756–1815

"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

1798

William Blake, 1757–1827

"Visions of the Daughters of Albion", London, by William Blake

1793

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Adelaide Claxton, 1858–1905

"We Met"

undated

Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

Isaac Cruikshank, 1764–1811

"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

1784

Print made by John Smith, 1652–1743

"When Love Doth Make His Arrow Sharp"

undated

John Kay, 1742–1826

"Why, Sir John, my face does you no harm..."

1789

John Raphael Smith, 1752–1812

"William and Margaret"

1802

Hablot Knight Browne, 1815–1882

"You're Not Going to Follow, Belle, Are You?"

undated

unknown artist

'A Mapp of Lime Street Ward'

unknown artist

'A Mapp of St. Andrews Holborn Parish...'

undated

unknown artist

'A Mapp of the Parish of St. Anns'

undated

unknown artist

'A Mapp of the Parish of St. Saviours, Southwark, and St. Georges'

Henry Herbert La Thangue, 1859–1929

'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)

undated

George Moutard Woodward, ca. 1760–1809

'A Whistler!'

undated

George Townly Stubbs, 1748–1815

'Anvil'

1794

George Vertue, 1684–1756

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'

1750

George Townly Stubbs, 1748–1815

'Baronet'

1794

George Townly Stubbs, 1748–1815

'Baronet'

1794

unknown artist

'Creplegate Ward with its Divisions into Parishes....'

Duncan Grant, 1885–1978

'Diana and Acteon', after Titian, done for the National Gallery appeal in London

ca. 1970

unknown artist

'Dog and Duck', St. George's Fields

1825

unknown artist

'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'

George Townly Stubbs, 1748–1815

'Dungannon'

1794

Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...

Charles Hunt, 1803–1877

'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..

1839

Henry Thomas Alken, 1785–1851

'Getting Across the Country Like a Gentleman'

undated

William Pether, ca. 1738–1821

'Gimcrack'

1766