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Period 18th century
Remove constraint Period: 18th centuryGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms clouds
Remove constraint Subject Terms: cloudsSearch Results
1
- Jacob's Dream
- 1705
- Not on view
2
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
3
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
4
- The Angel Binding Satan
- ca. 1797
- Not on view
5
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
6
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
7
- America. A Prophecy, Plate 2, Title Page
- 1793
8
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
9
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
10
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
11
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
12
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
13
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
14
- America. A Prophecy, Plate 1, Frontispiece
- 1793
15
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
16
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
17
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
18
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
19
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
20
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
21
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
22
- The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
- 1794
23
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
24
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
27
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
28
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
29
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
30
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
33
- Satan Approaching the Court of Chaos
- 1784 to 1785
34
- Moses Receiving the Law
- ca. 1780
35
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
36
- Sketch for the Oil Painting "The Conversion of St. Paul"
- undated
37
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
38
- Design for a Ceiling
- undated
39
- Design for a Ceiling Decoration
- 1723
40
- Illustration to Homer's Iliad
- 1723
41
- Winchester Cross
- 1800
42
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
43
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
44
- The Birth of Venus
- undated
45
- Niobe
- 1792
46
- Juvenis auscultans seni de divinis admonenti
- 1764
47
- Atalanta and Hippomanes
- 1763
48
- The Three Marys Going to the Sepulchre
- 1784
49
- Peter and John Going to the Sepulchre
- 1784
50
- Hebe
- 1782
51
- Venus Chiding Cupid
- 1784
52
- Ticket to Westminster Abbey
- before 1791
53
- Death on a Pale Horse
- ca. 1775
54
- St. Cecilia
- 1784
55
- The Virgin in the Clouds and Six Saints
- 1742
56
- Hebe
- 1780
57
- Hebe
- 1785
58
- The Infant Jupiter
- 1775
59
- Juno
- undated
60
- Mrs. Sophia (née Heywood) Musters as Hebe
- 1785
61
- Venus Childing Cupid
- 1784
62
- West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
- 1785
63
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
64
- West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
- 1785
65
- West Window of the Chapel, New College Oxford: The Virtues - Faith
- 1781
66
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781
67
- West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
- 1785
68
- West Window of the Chapel, New College Oxford: The Virtues - Justice
- 1782
69
- West Window of the Chapel, New College Oxford: The Virtues - Temperance
- 1782
70
- Mrs. Sheridan as 'St. Cecilia'
- 1776
71
- Guardian Angels
- 1786
72
- Sisters Contemplating on Mortality
- 1770
73
- Mrs. Blake as Juno
- 1771
74
- Mrs. Jordan in the Character of the Comic Muse
- 1787
75
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
76
- Hebe
- 1785
77
- Fortune
- 1796
78
- The Calling of Samuel
- 1783
79
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
80
- The Triumph of Galatea
- 1701
81
- Miss Elliot
- undated
82
- Ticket to Westminster Abbey
- before 1791
83
- A Scene on Mount Olympus
- undated
84
- Drawing after The Transfiguration
- 1782
85
- Tail Piece, or the Bathos
- 1764
86
- Georgiana, Duchess of Devonshire as 'Cynthia'
- 1783
87
- Moses Brought to Pharaoh's Daughter
- 1752