Materials & Techniques: aquatint and etching (printing process) / Collection: Prints and Drawings / Image Available: Available

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by Elizabeth Christiana Fanshawe, 1778–1856

Elizabeth Alexander

1806

John Hill, 1770–1850

Pass-Room Bridewell

1808

Print made by John Bluck, active 1791–1831

West India Docks

1810

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberries

1795

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Print made by Caroline Watson, 1760–1814

Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

1785

William Lee Hankey, 1869–1952

The Flight from Belgium

1914

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Robert Pollard, 1755–1838

Boys Playing at Peg Top

1786

Print made by John Jones, ca. 1745–1797

The Girl Sleeping

1790

Print made by John Copley, 1875–1950

Sheep in Twilight

1922

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Caroline Watson, 1760–1814

Portrait of Mrs. Elizabeth Stanhope

1790

Print made by Ernest Stephen Lumsden, 1883–1948

The Holy River

1912

Robert Pollard, 1755–1838

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by James Barry, 1741–1806

Sacra Christi Familia

undated

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by David Allan, 1744–1796

Alan Ramsay Scotus

1808

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Samuel Ireland, active 1760–died 1800

Stone Buildings, Lincoln's Inn

1800

Samuel Ireland, active 1760–died 1800

Clement's Inn

1800

Samuel Ireland, active 1760–died 1800

Staple Inn

1800

Samuel Ireland, active 1760–died 1800

Guildhall

1800

Samuel Ireland, active 1760–died 1800

Leather Fullers Hall

1800

Samuel Ireland, active 1760–died 1800

Furnival's Inn

1800

Samuel Ireland, active 1760–died 1800

Temple Church

1800

Samuel Ireland, active 1760–died 1800

Lincoln's Inn Hall and Chapel

1800

Samuel Ireland, active 1760–died 1800

Rolls Chapel

1800

Samuel Ireland, active 1760–died 1800

Lincoln's Inn Gate

1800

Samuel Ireland, active 1760–died 1800

Garden Front of Furnival's Inn

1800

Samuel Ireland, active 1760–died 1800

Westminster Hall

1800

Print made by David Allan, 1744–1796

Glaud and Symon

1808

Print made by David Allan, 1744–1796

Bauldy and Mause

1808

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by David Allan, 1744–1796

Sir William Worthy's Blessing

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Robert Havell, 1769–1832

Crofton

1813

Print made by Robert Pollard, 1755–1838

View of London Bloomsbury Square

1787

Jake Chapman, born 1966

Untitled

1999

Print made by John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'

1790

Print made by John Jones, ca. 1745–1797

Robinetta

1787

Print made by John Jones, ca. 1745–1797

Lady Gertrude Fitzpatrick as Sylvia

1791

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

John Hill, 1770–1850

Dining Hall, Asylum

1808

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

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