A select collection of landscapes for practice in drawing
1808
205
Traité de la peinture au pastel ..
1788
206
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1803
207
The florist
[between 1770 and 1784?]
208
Pyne, W. H. (William Henry), 1769–1843
Rudiments of landscape drawing
1812
209
Quadal, Martin Ferdinand, 1736–1808
A variety of tame & wild animals
May 25, 1793
210
Serlio, Sebastiano, 1475–1554
A book of perspective & geometry
1657
211
Barnes, Joseph
The young artist's companion
[1815]
212
Nicholson, Peter, 1765–1844
The rudiments of practical perspective
1822
213
Laporte, John, 1761–1839
Characters of trees
[1800]
214
Gilpin, William, 1724–1804
Practical illustration of Gilpin's day
1811
215
Cousin, Jehan, ca. 1522–ca. 1593
L'art de dessiner
MDCCLXXVIII [1778]
216
Young ladies' drawing book, or, complete instructor in drawing and colouring flowers, fruits & shells; with directions for purchasing and using all the materials connected with that fine art
1832
217
O'Neill, Henry, 1798–1880
A guide to pictorial art
1849
218
The florist
[ca. 1760]
219
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
220
Prout, Samuel, 1783–1852
A series of easy lessons in landscape drawing
1820
221
Prout, Samuel, 1783–1852
Easy lessons in landscape drawing
[1819]
222
Fielding, Newton Limbird Smith, 1799–1856
What to sketch with, or, Hints on the use of coloured crayons, water colours, oil colours, black and white chalks, black-lead pencil
[1856]
223
The student's treasure
MDCCLXXXIX [1789]
224
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape
1793
225
Metz, C. M. (Conrad Martin), 1755–1827
Fores's new chalk drawing-book, of heads and academy figures
1795-1799
226
Tracing aid
early 20th century?
227
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical
1712
228
Orme, William, active 1797–1819
William Orme's Rudiments of landscape drawing, and perspective
[1802]
229
The artist's vade mecum
1762
230
First drawing book
1845
231
Daniell, William, 1769–1837
A familiar treatise on perspective,
1810
232
Craig, William Marshall, 1763 or 1764–1829
Landscape animals
1811
233
John Bluck, active 1791–1819
[Progressive lessons for drawing landscapes]
[1800]
234
Bartolozzi, Francesco, 1727–1815
Thirty four lessons for drawing the human figure
[1828]
235
Powell, Joseph, 1780–1834
Progressive lessons in drawings
1820-1821
236
Harley, George, 1791–1871
First principles of landscape drawing
[1829]
237
Picart, Bernard, 1673–1733
Second drawing book of heads
1757
238
The art of drawing without a master
[ca. 1840?]
239
Heckel, Augustin, approximately 1690–1770
The florist, or, An extensive and curious collection of flowers, for the imitation of young ladies, either in drawing, or in needle-work
[1759]
240
Robson, William
Grammigraphia;
1799
241
The compleat drawing-master
1763
242
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
243
Art of drawing and painting in water-colours
1770
244
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
245
Laporte, John, 1761–1839
The progress of a water-coloured drawing
[ca. 1811]
246
Brookshaw, George, 1751–1823
Groups of fruit
1819
247
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
248
Purcell, Edward, fl. 1812–1831
[Sketchbook, with pen and ink watercolor studies of figures, heads, and rural and classical figures]
[ca. 1829?]
249
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
250
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
251
Sherlock, William P., 1775–
Drawing book of landscapes, shipping & animals
1819
252
Wood, John George, 1768–1838
The principles and practice of sketching landscape scenery from nature
1813-[1815]
253
Walton, John
Walton's drawing book in the tinted style
18--]
254
Laurie, Robert, 1755?-1836
The artist's assistant in drawing, etching, engraving, mezzotinto-scraping, painting on glass, and on silks, satins, &c.
1842
255
Prout, Samuel, 1783–1852
Progressive fragments
1817
256
Rudge, Edward
An introduction to the study of painting
1828
257
Prout, Samuel, 1783–1852
Bits for beginners
1817
258
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing
1829
259
Harding, James Duffield, 1798–1863
The guide and companion to the "Lessons on art"
[1854]
260
Vandenburgh's drawing book and young artists' preceptor
[ca. 184-]
261
The principles of drawing, design, and engraving;
1800
262
Sanderson, William, Sir, 1586?-1676
Graphice
1658
263
Cox, David, 1783–1859
A series of progressive lessons, intended to elucidate the art of landscape painting in water colours
1811
264
Moriarty, Henrietta Maria
Fifty plates of green-house plants, drawn and coloured from nature
1807
265
Maslov, Aleksandr
Rukovodstvo kʺ risovanīi︠u︡ akvarelʹi︠u︡ ili vodi︠a︡nymi kraskami bezʺ pomoshchi uchiteli︠a︡
1857
266
The elements of drawing in all its branches
1802
267
Alston, J. W. (J. William)
Hints to young practitioners in the study of landscape painting
[1804]
268
Willson, Harry, 19th cent
A practical treatise on composition, light and shade, and colour
MDCCCLI [1851]
269
Brookshaw, George, 1751–1823
Six birds
1819
270
Harley, George, 1791–1871
First principles of landscape drawing
[1836?]
271
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
272
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art
MDCCLII [1752]
273
Fielding, Newton Limbird Smith, 1799–1856
How to sketch from nature, or, Perspective and its application