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Genre religious and mythological subject

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John Frederick Lewis “And the Prayer of Faith Shall Save the Sick”
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
Benjamin Robert Haydon Venus and Anchises
Benjamin Robert Haydon, 1786–1846
Venus and Anchises
1826
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Alfred Gilbert St. George
Alfred Gilbert, 1854–1934
St. George
1891 to 1896
Not on view
Joseph Nollekens Adonis
Joseph Nollekens, 1737–1823
Adonis
1770s
Not on view
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
George Romney Laocoon
George Romney, 1734–1802
Laocoon
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
Francesco Bartolozzi Paris and Oenone
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Edward Fisher Lord Archbishop of Canterbury
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
Pieter S. van der Gunst Thomas Cranmer
Pieter S. van der Gunst, 1659–c. 1724
Thomas Cranmer
undated
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
unknown artist St. John with the Lamb
Print made by unknown artist
St. John with the Lamb
undated
John Smith Venus Witholding Adonis From the Chase
Print made by John Smith, 1652–1743
Venus Witholding Adonis From the Chase
undated
John Smith Diana and Acteon
Print made by John Smith, 1652–1743
Diana and Acteon
1705
unknown artist Oliver Plunket
unknown artist
Oliver Plunket
1790
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
Charles Picart Reverend Beilby Porteus, Lord Bishop of London
Charles Picart, c.1780–1837
Reverend Beilby Porteus, Lord Bishop of London
1809
James Watson The Right Reverent Thomas Newton, D.D.
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
George Vertue Johannes Potter, Archiepiscopus Cantuariensis
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
Charles Turner Beilby Porteus, Bishop of London
Charles Turner, 1774–1857
Beilby Porteus, Bishop of London
1807
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
Joseph Powell Winchester Cross
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
Jacobus Houbraken Gilbert Burnet, Bishop of Salisbury
Jacobus Houbraken, 1698–1780
Gilbert Burnet, Bishop of Salisbury
undated
John Martin Marcus Curtius
John Martin, 1789–1854
Marcus Curtius
Charles Grignion Britannia Allegory
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
J. C. Varrall Valle Crucis Abbey, Denbighshire
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
Robert Wallis Buckfastleigh Abbey
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey
1828
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
John Martin Death of the First Born
John Martin, 1789–1854
Death of the First Born
1836
John Martin The Crucifixion
John Martin, 1789–1854
The Crucifixion
1834
John Martin The Deluge
Print made by John Martin, 1789–1854
The Deluge
1828
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
James Basire the younger Inside View of the East End of Merton College Chapel
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
Richard Westall Christ Appears to Mary Magdalene (John 20:13-14)
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
James Barry Study for Saint Sebastian
James Barry, 1741–1806
Study for Saint Sebastian
undated
Wallerant Vaillant Jonah Escaping from the Mouth of the Whale
Print made by Wallerant Vaillant, 1623–1677
Jonah Escaping from the Mouth of the Whale
undated
Johann Jacobus Haid S. Matthaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Matthaeus
undated
Johann Jacobus Haid S. Simon
Print made by Johann Jacobus Haid, 1704–1767
S. Simon
undated
Johann Jacobus Haid S. Jacobus Major
Print made by Johann Jacobus Haid, 1704–1767
S. Jacobus Major
undated
Johann Jacobus Haid S. Bartholomaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Johann Jacobus Haid S. Judas Thaddaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Judas Thaddaeus
undated
Johann Jacobus Haid S. Philippus
Print made by Johann Jacobus Haid, 1704–1767
S. Philippus
undated
Johann Jacobus Haid S. Paulus
Print made by Johann Jacobus Haid, 1704–1767
S. Paulus
undated
Johann Jacobus Haid S. Andreas
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated