<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Classification Drawing & Watercolors-Architectural

Remove constraint Classification: Drawing & Watercolors-Architectural

Search Results

201. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Brown ink, black ink, watercolor and gouache on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 12 1/4 × 7 inches (31.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 10 7/8 × 8 5/8 inches (27.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 1/8 × 5 9/16 inches (15.6 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 7/8 × 6 3/8 inches (30.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 4 7/8 inches (29.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 10 1/8 × 3 7/8 inches (25.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 7 inches (29.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 3/8 × 5 1/4 inches (28.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 6 7/8 inches (17.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/8 × 5 inches (18.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 × 4 3/8 inches (26.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink and pen, watercolor and gouache, verso: white gouache on medium, slightly textured, brown wove
Dimensions:
Sheet: 13 1/2 × 7 3/4 inches (34.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, pen, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 14 1/8 × 6 3/4 inches (35.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite and pen with watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 1/4 × 6 1/8 inches (15.9 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Vue: Constantinople

Vue: Constantinople
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 15/16 × 10 1/2 inches (17.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Femme Greque

Femme Greque
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 5 3/8 × 3 1/4 inches (13.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Whitby

Whitby
Creator:
Charles Bentley, 1806–1854
Date:
1833
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Sketch of a Half-Facade for a Royal Palace, Hyde Park, London

Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1779
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite on medium, moderately textured beige wove paper
Dimensions:
Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Cobham Hall, Kent: Elevation of Tower

Cobham Hall, Kent: Elevation of Tower
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 14 1/2 inches (51.4 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Cobham Hall, Kent: Drawing for Wall Decoration

Cobham Hall, Kent: Drawing for Wall Decoration
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/2 inches (38.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered

Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 19 7/8 inches (34.3 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Cobham Hall, Kent: Elevation of the Stables

Cobham Hall, Kent: Elevation of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Watercolor with pen, black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 19 15/16 inches (34.6 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Brown, black and pink ink, pen and black and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 x 11 1/2 inches (48.3 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Cobham Hall, Kent: Plan of Staircase

Cobham Hall, Kent: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Cobham Hall, Kent: Section of the Anteroom

Cobham Hall, Kent: Section of the Anteroom
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, blue and gray wash, pen and brown and black ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 x 14 1/4 inches (50.2 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Cobham Hall, Kent: West Elevation of South Wing

Cobham Hall, Kent: West Elevation of South Wing
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Cobham Hall, Kent: Plan of Tower Staircase from Principal to the Chamber Floor

Cobham Hall, Kent: Plan of Tower Staircase from Principal to the Chamber Floor
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black, brown and pink ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 11 3/4 inches (47.3 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. No. 1 Sketch of temple remains at Baalbec or Palmyra

No. 1 Sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, roughly textured, cream laid paper
Dimensions:
Sheet: 22 × 31 inches (55.9 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. No. 5 sketch of Temple remains at Baalbec or Palmyra

No. 5 sketch of Temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 29 7/8 inches (55.2 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. No. 25 drawing of temple remains at Baalbec or Palmyra

No. 25 drawing of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Internal Order of the Cell of the most entire Temple at Baalbec

Internal Order of the Cell of the most entire Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on modreately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 12 1/2 inches (27.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:
Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec

Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 12 1/4 × 11 inches (31.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Plan of the Temple at Baalbec

Plan of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Temple at Thignica Modern, Ain Tunga now totally Destroyed

Temple at Thignica Modern, Ain Tunga now totally Destroyed
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 × 15 3/8 inches (53.7 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Plate XV Back of Temple at Sheitla [sic]

Plate XV Back of Temple at Sheitla [sic]
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 3/4 inches (53.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. "Arch of Marcus Aurelius at Tripoli "

"Arch of Marcus Aurelius at Tripoli "
Creator:
James Bruce, 1730–1794
Date:
ca. 1766
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 3/4 inches (48.9 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Quadrifrontal Arch, Tripoli

Quadrifrontal Arch, Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 19 1/2 × 14 7/8 inches (49.5 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Right Corinthian Temple at Suttetula Modern Sheitla

Right Corinthian Temple at Suttetula Modern Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Centre Composite Temple Suttetula Modern Sheitla

Centre Composite Temple Suttetula Modern Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 3/4 inches (54.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Left Corinthian Temple at Suttetula Modern Sheitla

Left Corinthian Temple at Suttetula Modern Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 21 3/8 inches (42.2 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. The Medrassen [sic] Pl. V

The Medrassen [sic] Pl. V
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black ink, red pencil on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 26 × 38 1/4 inches (66 × 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Trajans Arch, Makter

Trajans Arch, Makter
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Details of Lower Arch Mactar, Modern Makther

Details of Lower Arch Mactar, Modern Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Architectural Details of Pedestal Column and Entablature and Pediment Makther

Architectural Details of Pedestal Column and Entablature and Pediment Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, red pencil, graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Lower Arch at Makther on Back

Lower Arch at Makther on Back
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Architectural Details of Arch at Makther

Architectural Details of Arch at Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther

Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 19 1/8 inches (63.8 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Arch of Trajan Mactar Modern Makther set in Landscape

Arch of Trajan Mactar Modern Makther set in Landscape
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. XLX Lower Arch at Makther Details of Cornice

XLX Lower Arch at Makther Details of Cornice
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther

Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 26 × 19 1/4 inches (66 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Entrance Gate, Zaghouan

Entrance Gate, Zaghouan
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Aquaduct at Cherchel

Aquaduct at Cherchel
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Arch of Trajan Makther

Arch of Trajan Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Temple Above Spring at Zaghouan

Temple Above Spring at Zaghouan
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 21 3/4 inches (40.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Details of Temple Above Spring at Zaghouan

Details of Temple Above Spring at Zaghouan
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Pen and black ink with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Entrance Gate Zaghouan

Entrance Gate Zaghouan
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 1/2 inches (55.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Aquaduct at Cherchel

Aquaduct at Cherchel
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 × 25 1/4 inches (48.3 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Ruins of Temples at Saltronza

Ruins of Temples at Saltronza
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 31 3/4 inches (55.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Sketch of Arches in Perspective

Sketch of Arches in Perspective
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 13/16 × 21 9/16 inches (40.2 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Elevation and Plan of the Arch at Zanfour

Elevation and Plan of the Arch at Zanfour
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Plate twenty-one: Arch at Zanfour

Plate twenty-one: Arch at Zanfour
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 3/4 inches (48.9 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. The Ruins of Carthage

The Ruins of Carthage
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. 1 of 2 finished drawings of Arch at Hydra and a double page of details

1 of 2 finished drawings of Arch at Hydra and a double page of details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Architectural detail of frieze of Corinthian temple at Assuras

Architectural detail of frieze of Corinthian temple at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 26 × 38 3/4 inches (66 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Corinthian Temple at Assuras

Corinthian Temple at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Architectural detail of arch at Assuras

Architectural detail of arch at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 26 1/8 × 38 3/4 inches (66.4 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Measured sketches of arch at Assuras

Measured sketches of arch at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 3/4 inches (54.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Architectural detail of Column of Arch at Tripoli

Architectural detail of Column of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Twenty-eight Arch at Tripoli

Twenty-eight Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 25 5/8 inches (49.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Ceiling Decoration of Arch at Tripoli

Ceiling Decoration of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 × 19 1/2 inches (66 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Arch and Corinthian Temple of Assuras mod. Zanfour

Arch and Corinthian Temple of Assuras mod. Zanfour
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Lambressa, the Praerorium

Lambressa, the Praerorium
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Architectural detail of Plaque above Niches in Arch at Tripoli

Architectural detail of Plaque above Niches in Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 19 3/8 inches (65.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. XXIV Lybian Mausoleum at Dougga

XXIV Lybian Mausoleum at Dougga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. XXII Side View of Temple at Dougga

XXII Side View of Temple at Dougga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 19 3/4 inches (38.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Temple of Jupiter and Minerva

Temple of Jupiter and Minerva
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 38 5/8 × 25 5/8 inches (98.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Cisterns at Carthage

Cisterns at Carthage
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 inches (50.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Aquaduct at Carthage

Aquaduct at Carthage
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 18 7/8 inches (64.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Plate II Tombe de la Chretienne

Plate II Tombe de la Chretienne
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, and gray wash on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Remains of Ancient Architecture in Africa; Title Page

Remains of Ancient Architecture in Africa; Title Page
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. The Antiquities of Africa

The Antiquities of Africa
Creator:
James Bruce, 1730–1794
Date:
1765
Materials & Techniques:
Graphite, red pencil, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 15 1/2 inches (54.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Gate at Medjez-el-bab

Gate at Medjez-el-bab
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Slight graphite sketch of ruins of Hieron of Temples at Shietla

Slight graphite sketch of ruins of Hieron of Temples at Shietla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection