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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washPeriod 19th century
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1
- A Harrow in the Orchard
- ca. 1896
2
- Helmingham: The Silent Pool
- ca. 1800
3
- Cottage among Trees
- ca. 1795
4
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
5
- Mr. Hobson of Markfield and Family
- ca. 1806
6
- Trees and Deer
- 1825
7
- Study of Waves
- undated
8
- Shoreham, Kent
- between 1831 and 1832
9
- Boxhill
- 1868
10
- Cornfields with Barn, Shoreham
- ca. 1829
11
- A Cottage among Trees, Shoreham
- undated
12
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
13
- The Primitive Cottage, Shoreham
- undated
14
- An Ancient Barn at Shoreham
- undated
15
- Opening the Fold: Early Morning
- ca. 1880
16
- Study for "The Shearers"
- between 1833 and 1834
17
- Rheinfels Looking to Katz and Gourhausen
- 1817
18
- Mountainous Landscape with Town in Valley
- ca. 1840
19
- The Capo Sant' Angelo, Amalfi
- ca. 1885
20
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
21
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
22
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
23
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
24
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
25
- Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
- 1802
26
- Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
- 1802
27
- Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
- 1802
28
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
29
- Study for The Woodman's Daughter
- 1849
30
- A Wooded Track
- 1813
31
- High Street at Bushey, Hertfordshire
- 1812
32
- Capel Church, Near Dorking, Surrey
- undated
33
- Two Trees
- undated
34
- Landscape with Waterfall
- undated
35
- Indian Statue
- undated
36
- Whinny Liggate; Balgredan
- undated
37
- The Walls of Jericho
- 1834
38
- The Wreck of the Apollo Frigate, 1803
- undated
39
- Part of Goodrich Castle
- 1842
40
- Peter the Wild Boy
- undated
41
- S. Simon Petrus
- undated
42
- Pale Melancholy
- ca. 1804
43
- The Lady at the Dressing Table
- ca. 1897
44
- Alicante, Spain
- 1853
45
- Little Sypeland
- undated
46
- Back, Gata and North, Milton
- undated
47
- Torrs
- undated
48
- Townhead and Drummore
- undated
49
- Mayfield
- undated
50
- Nuntons
- undated
51
- Balgreddan and Whinny Liggate
- undated
52
- Kirkeoch, Nun Mill
- undated
53
- North Nunton; South Nunton
- undated
54
- The Farm
- undated
55
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
56
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
57
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
58
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
59
- The Mansion House, London: Elevation
- undated
60
- Balmae
- undated
61
- Senwick
- undated
62
- Little Kirkland
- undated
63
- Culraven and Broadfield
- undated
64
- Netherthird
- undated
65
- Farm of Highbanks
- 1813
66
- Little Sypeland
- undated
67
- Bombie Mill, Bombie, Tongue of Bombie
- undated
68
- Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
- undated
69
- Palmangan
- undated
70
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
71
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
72
- Hounds and Hunters Attacking Deer
- 1831
73
- Near Sterzing, Tyrol
- ca. 1800
74
- Henry Fuseli
- undated
75
- Custom House and St. Vincent's Wharf
- 1851
76
- King's Wharf, and South Quay-Port of Spain
- 1851
77
- Cascade at St. Anns
- 1851
78
- Riverside, St. Joseph
- 1857
79
- Residence at Orange Grove Estate, Tacarigua
- 1857
80
- Hogarth Declaring His Love to Miss Thornhill
- 1817
81
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
82
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
83
- The Reconcilation
- 1817
84
- The Smock Exposed
- 1817
85
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
86
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
87
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
88
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
89
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
90
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
91
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
92
- Goat Hill and Ships
- ca. 1820
93
- From the Window of the Inn at Lauterbraun
- ca. 1811
94
- The Governor's Residence, St. Anns
- 1851
95
- Landscape at Ambleside
- ca. 1800
96
- The Bocas from the Old Fort, Macqueripe
- 1857
97
- Cedros Bay
- 1857
98
- The Pitch Lake
- 1857
99
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
100
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820