Belfast from Bunker's Hill / On the Road to Hollywood
undated
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
6
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
7
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
9
Peter Casteels, 1684–1749
Feeding Ducks
undated
10
Thomas Stothard, 1755–1834
Tree Study
undated
11
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
12
William Collins, 1788–1847
Dartmouth
undated
13
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
14
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
15
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
16
James Lewis, 1751–1820
Design for a Country House
undated
17
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
18
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
19
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
20
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
21
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
22
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
23
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
24
unknown artist
A Carriage
1825
25
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
26
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
27
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
29
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
30
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
33
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
34
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
35
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
36
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
37
unknown artist
Peers' Entrance
undated
38
unknown artist
Survey view of a lobby, Palace of Westminster
undated
39
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
40
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
41
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
42
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
46
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
47
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
48
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
49
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
50
Philip William May, 1864–1903
Final Instructions
undated
51
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
52
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
53
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
54
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
55
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
56
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
57
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
58
George Chinnery, 1774–1852
A River in Ceylon
undated
59
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
60
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
61
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
62
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
63
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
64
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
65
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
71
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
72
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
73
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
74
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
75
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
76
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
77
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
78
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
79
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
80
Philip William May, 1864–1903
The Dog Cart
undated
81
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
82
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
83
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
84
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
85
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
86
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
87
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
88
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
89
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
90
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
91
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
92
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
93
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
94
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
95
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
96
Studio of Sir Jeffry Wyatville, 1766–1840
A House of Assembly, Quebec: Elevation
ca. 1812
97
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
98
John Collet, ca. 1725–1780
Ecclesiastical Ruins beside the Thames (?)
undated
99
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes