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Edward Francis Burney Allegory of Napoleonic Battles
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
Edward Francis Burney Allegory of Drawing
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
John O'Connor Belfast from Bunker's Hill / On the Road to Hollywood
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
James Wyatt Cobham Hall, Kent: Ceiling of Vestibule
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
James Wyatt Cobham Hall, Kent: Plan of Tower Staircase
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
Peter Casteels Feeding Ducks
Peter Casteels, 1684–1749
Feeding Ducks
undated
Thomas Stothard Tree Study
Thomas Stothard, 1755–1834
Tree Study
undated
Thomas Stothard Frieze of a Medieval Wedding
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
William Collins Dartmouth
William Collins, 1788–1847
Dartmouth
undated
Michel Vincent Brandoin Shepherd, Shepherdess and Dog
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
Thomas Stothard Back of Naked Figure
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Lewis Design for a Country House
James Lewis, 1751–1820
Design for a Country House
undated
Thomas Stothard Illustration to the Virtuous Orphan
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Peter La Cave Mountain Landscape: with cows and goats foreground and figures, left
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
Peter La Cave Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
Thomas Stothard Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
Robert Dighton Trap Ball Played at the Black Prince, Newington, Butts
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
Robert Dighton Coits Played opposite the Horns, Kennington Common
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
unknown artist A Carriage
unknown artist
A Carriage
1825
unknown artist The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
Sawrey Gilpin Two Mares with their Foals
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
George Johann Scharf View through the South East Window of the Crypt beneath St Stephen's, Westminster
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
Sir John Soane Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
unknown artist Peers' Entrance
unknown artist
Peers' Entrance
undated
unknown artist Survey view of a lobby, Palace of Westminster
unknown artist
Survey view of a lobby, Palace of Westminster
undated
Sir John Soane Plan of the Upper Floor of Lord Committee Rooms
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
Sir John Soane Plan of the Ground Floor, House of Lords
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
John Carter Palace at Westminster
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
John Carter Continuation of Detail
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
Philip William May Final Instructions
Philip William May, 1864–1903
Final Instructions
undated
Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
Thomas Stothard September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
Thomas Stothard October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
Thomas Stothard May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
Thomas Stothard March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
George Chinnery A River in Ceylon
George Chinnery, 1774–1852
A River in Ceylon
undated
Robert Dighton Cricket played by the Gentlemens Club, Whiteconduit House
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
Robert Dighton Foot Ball played at Market Place, Barnet
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
Robert Dighton Fives played at the Tennis court Leicester Fields
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
Robert Dighton Four Corners Played at the Swan, Chelsea
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
Philip William May A Man and a Boy Riding on a Beach
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
William Capon Entrance to the House of Lords
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
John Carter Plan of the Basement Story under the House of Lords
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
John Carter View in Basement Story under House of Lords
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
Sir John Soane Part of the Construction in the Old House of Lords
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
Sir John Soane Part of the Construction in the Old House of Lords
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
John Carter Elevation of the Basement Story, House of Lords
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
Charles James Richardson Decoration between Windows of Parlor, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
Charles James Richardson Ceiling of Front Parlor House in Old Palace Yard
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
Charles James Richardson Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
Philip William May The Dog Cart
Philip William May, 1864–1903
The Dog Cart
undated
John Carter Parts in Stone Underhouse of Lords
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
Sir John Soane Part of the Construction in the Old House of Lords
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
John Carter Princes Chamber, East Side with the Old House of Lords
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
John Carter Plan of Princes Chamber, One Pair
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
John Carter Princes Chamber
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
John Carter Door near Painted Chamber
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
Charles James Richardson Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
John Carter South View of the Abbey Church, Westminster, Taken from Dean's Yard
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
John Carter Line of Buildings on East Side, Dean's Yard
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
John Carter Continuation of Details
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
John Carter Buildings on North Side, Dean's Yard
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
John Carter Continuation of Detail
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
John Carter Detail for Preceding Elevations
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
John Carter Detail, Dean's Yard
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
Sir Jeffry Wyatville A House of Assembly, Quebec: Elevation
Studio of Sir Jeffry Wyatville, 1766–1840
A House of Assembly, Quebec: Elevation
ca. 1812
James Pattison Cockburn Italianate Landscape
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
John Collet Ecclesiastical Ruins beside the Thames (?)
John Collet, ca. 1725–1780
Ecclesiastical Ruins beside the Thames (?)
undated
John Collet A Lady of Fashion with Black Shawl and Black Shoes
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes
1778
Thomas Creswick A Sailing Boat Becalmed
Thomas Creswick, 1811–1869
A Sailing Boat Becalmed
undated