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Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

Work Type intaglio print

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Subject Terms architectural subject

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Frontispiece
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge in Middle Distance
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young Anglers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Straw Yard
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Berwick on Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowestoffe Lighthouse (vignette)
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving, Engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowestoffe Lighthouse (vignette)
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roslin Castle
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of the Brook Kedron
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Rhodes

Rhodes
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunfermline
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dumbarton Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunfermline
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hotel de Ville, Paris
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tantallon Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malvern Abbey and Gate, Worcestershire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

53. Montjen

Montjen
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château de Tancarville, with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Lillebonne, Château and Tower
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Marche aux Fleurs and the Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

63. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Elgin Cathedral, Morayshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 2nd published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1802
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Madama, Moonlight
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rosslyn Castle
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1822
Materials & Techniques:
Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tantallon Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1822
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Castle of St. Angelo
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on Thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Montjen

Montjen
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lillebonne, Château and Tower
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château de Tancarville with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 16 5/8 inches (30.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper mounted on ledger page
Dimensions:
Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
Print made by Thomas Tagg, died 1809
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 5 7/8 inches (7.9 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Flint

Flint
Creator:
Print made by Thomas Tagg, died 1809
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Michael's Mount, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Bridge and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmondshire Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old London Bridge and Vicinity
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Madama (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Saumur

Saumur
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of St. Cloud from Sevres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection