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Materials & Techniques pen

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On-site Access Accessible by appointment in the Study Room

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Work Type drawing

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Image Use Free to Use

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Subject Terms figure study

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George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
George Stubbs Leopard Body, Lateral View
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
George Stubbs Fowl Skeleton, Lateral View (Study for the key figure to Table V)
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Study for the key figure to Table V)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for key figure to Table X)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
George Stubbs Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
George Stubbs Human Skeleton, Anterior View (Final study)
George Stubbs, 1724–1806
Human Skeleton, Anterior View (Final study)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
1795 to 1806
George Stubbs Fowl Head and Neck, Lateral View
George Stubbs, 1724–1806
Fowl Head and Neck, Lateral View
1795 to 1806
George Stubbs Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Outline drawing of the muscles)
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
George Stubbs Monkey Standing, Anterior View
George Stubbs, 1724–1806
Monkey Standing, Anterior View
1795 to 1806
Edward Lear Near Bajoura
Edward Lear, 1812–1888
Near Bajoura
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Men
Edward Lear, 1812–1888
Egyptian Men
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Korti
Edward Lear, 1812–1888
Korti
1867
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Memphis
Edward Lear, 1812–1888
Memphis
1867
Edward Lear Camels
Edward Lear, 1812–1888
Camels
1867
Edward Lear Memphis
Edward Lear, 1812–1888
Memphis
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Camel studies
Edward Lear, 1812–1888
Camel studies
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
Edward Lear Study of figures and a camel
Edward Lear, 1812–1888
Study of figures and a camel
1867
Edward Lear Study of an Egyptian Man on a Camel
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
George Romney Captive or Dejected Woman: Possibly Andromache
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Two studies for a male portrait
George Romney, 1734–1802
Two studies for a male portrait
undated
Ramsay Richard Reinagle Hercules Resting
Ramsay Richard Reinagle, 1775–1862
Hercules Resting
undated
Paul Sandby Woman and Child Holding a Doll
Paul Sandby, 1731–1809
Woman and Child Holding a Doll
between 1758 and 1760
Paul Sandby Two Women holding a Basket
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Sir Joshua Reynolds Standing Woman with Folded Hands
Sir Joshua Reynolds, 1723–1792
Standing Woman with Folded Hands
undated
Sir Joshua Reynolds Standing Man Gesturing
Sir Joshua Reynolds, 1723–1792
Standing Man Gesturing
undated
Sir Joshua Reynolds Seated Man
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
Sir Joshua Reynolds Child Seated
Sir Joshua Reynolds, 1723–1792
Child Seated
undated
Sir Joshua Reynolds Man and Horse
Sir Joshua Reynolds, 1723–1792
Man and Horse
undated
Sir Joshua Reynolds Child Standing
Sir Joshua Reynolds, 1723–1792
Child Standing
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Sir Joshua Reynolds Woman and Infant
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
Paul Sandby Election Scene
Paul Sandby, 1731–1809
Election Scene
undated
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
Thomas Ross Figures, Horses and Cows
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
John Linnell Studies of Horses, Men and Carriages
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
James Seymour 'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
James Seymour Rider in Armour
James Seymour, 1702–1752
Rider in Armour
undated
Peter Tillemans Racing: a Match in Progress
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
John Wootton The Meet
John Wootton, 1682–1764
The Meet
undated
John Wootton A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
unknown artist Eagle on a Perch
unknown artist
Eagle on a Perch
ca. 1800
Raphael Lamar West A Horseman and Other Figures at a Race-Course
Raphael Lamar West, 1769–1850
A Horseman and Other Figures at a Race-Course
undated
Edward Francis Burney An Allegory of America Carrying the Cap of Liberty
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
Daniel Maclise A Child Playing with a Dog
Daniel Maclise, 1806–1870
A Child Playing with a Dog
undated
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
James Seymour The Famous Childers
James Seymour, 1702–1752
The Famous Childers
undated
James Seymour Victorious
James Seymour, 1702–1752
Victorious
undated
unknown artist Morning
unknown artist
Morning
1799
unknown artist Mid-Day
unknown artist
Mid-Day
1799
unknown artist Evening
unknown artist
Evening
1799
Sawrey Gilpin Two Riders Conversing
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
James Seymour Rider on a Horse, Rearing to Left
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
James Seymour Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
James Seymour Woman Wearing a Tricorne Hat, Riding to Right
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
James Seymour Kindly, with Jockey Up
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
James Seymour Foxhunter, with Jockey Up
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
James Seymour Conqueror Going to Start
James Seymour, 1702–1752
Conqueror Going to Start
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
unknown artist Tattersall's Training School
unknown artist
Tattersall's Training School
1771
Thomas Sunderland Myles Sandys' Hounds and Huntsmen Scenting a Hare
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Scenting a Hare
undated
James Seymour Two Horses Racing, Jockeys Up: Railings in the Background
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
James Seymour Sketches of a Hare, Horse, Stag, Man and Woman
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
James Seymour Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
Peter Tillemans Horse and Rider Walking to Left in a Hilly Landscape
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
George Chinnery A Man throwing a Ball to a Dog
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
undated
unknown artist A Dangerous Leap
unknown artist
A Dangerous Leap
ca. 1850