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1. The Mansion House, London: Elevation

The Mansion House, London: Elevation
Creator:
Joseph Wolf, 1820–1899
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 1/4 inches (29.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Design for a Chimneypiece

Design for a Chimneypiece
Creator:
Joseph Wilton, 1722–1803
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Design for a Vase

Design for a Vase
Creator:
Joseph Wilton, 1722–1803
Date:
undated
Materials & Techniques:
Gray wash with black and brown ink on medium, smooth, crean wove paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
Creator:
Robert Adam, 1728–1792
Date:
1765
Materials & Techniques:
Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:
Sheet: 28 7/16 x 20 9/16 inches (72.3 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street

Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
Creator:
Robert Adam, 1728–1792
Date:
1765
Materials & Techniques:
Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:
Sheet: 20 3/8 x 28 15/16 inches (51.8 x 73.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Apollo and Daphne

Apollo and Daphne
Creator:
Master of the Giants, active 1779
Date:
between 1770 and 1799
Materials & Techniques:
Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Study for the Pilkington Crest, a mower with a scythe

A Study for the Pilkington Crest, a mower with a scythe
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, gray wash, and graphite, squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 11in. (31.1 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Gentleman, wearing a Long Buttoned Coat with Large Cuffs

A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
Creator:
Edward Byng, c. 1676–1753
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, and gray wash on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 1/4 × 8 1/2 inches (28.6 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Cobham Hall, Kent: North Elevation of South Wing

Cobham Hall, Kent: North Elevation of South Wing
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Cobham Hall, Kent: Ground Plan

Cobham Hall, Kent: Ground Plan
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 5/8 x 21 3/4 inches (57.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower

Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash and watercolor on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage

Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/2 x 21 1/2 inches (69.9 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Cobham Hall, Kent: Plan of the chamber story of part of the offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Sermon on the Mount

The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Needles from Alum Bay

The Needles from Alum Bay
Creator:
George Barret Jr., 1767–1842
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, gray wash and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 12 inches (14 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family

Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
Creator:
Robert Byng, 1666–1720
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 11 1/8in. (37.5 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, blue and gray wash, pen and brown and black ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 x 14 1/4 inches (50.2 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses

Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Watercolor and gray wash, pen and brown and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 3/4 inches (36.2 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Cobham Hall, Kent: South Elevation of North Wing

Cobham Hall, Kent: South Elevation of North Wing
Creator:
George Shakespear, active 1752, died 1797
Date:
ca. 1790
Materials & Techniques:
Watercolor and gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Niche for Mr. Portman's House at Sherborne

A Niche for Mr. Portman's House at Sherborne
Creator:
Sir James Thornhill, 1675–1734
Date:
ca. 1720
Materials & Techniques:
Pen and brown ink, black ink, gray wash, brown wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 10 1/8 inches (25.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

Cobham Hall, Kent: Design for a Lintel for One End of a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 8 inches (33.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Frieze and Capitals (from Priene?)

Frieze and Capitals (from Priene?)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 inches (54.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Snowdon, an Approaching Storm

Snowdon, an Approaching Storm
Creator:
James Ward, 1769–1859
Date:
1853
Materials & Techniques:
Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 x 12 3/4 inches (17.1 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Two Boats with Crews, Study for The Royal William at Sea

Two Boats with Crews, Study for The Royal William at Sea
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Brushed black ink, gray wash and graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 10 3/4 inches (14.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Pursuit (Probably a Design for The Tyburn Chronicle)

The Pursuit (Probably a Design for The Tyburn Chronicle)
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink and pen and brown ink on medium, slightly textured cream laid paper
Dimensions:
Sheet: 6 3/8 × 4 1/8 inches (16.2 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Whitton House, Middlesex: Mezzanine and Attic Floor Plans

Whitton House, Middlesex: Mezzanine and Attic Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/16 x 12 7/16 inches (46.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Ruins in Rome

Ruins in Rome
Creator:
William Hamilton, 1751–1801
Date:
between 1768 and 1775
Materials & Techniques:
Gray wash, pen and black and brown ink, white gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 18 3/16in. (34 x 46.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Headfort House, Ireland: Section of One End of the Parlor

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Headfort House, Ireland: Elevation of the Eating Parlor

Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 25 5/8 inches (36.8 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Boulner, East Yarmouth

Boulner, East Yarmouth
Creator:
George Barret Jr., 1767–1842
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, brown wash and gray wash on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 5 5/8 × 12 1/8 inches (14.3 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Headfort House, Ireland: Ceiling of the Front Hall

Headfort House, Ireland: Ceiling of the Front Hall
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Headfort House, Ireland: Section of the Staircase

Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Headfort House, Ireland: Elevation of the Eating Parlor

Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black and brown ink, gray wash and graphite on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 25 11/16 x 14 9/16 inches (65.2 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Design for a Mythological Scene, with Jupiter and Juno

Design for a Mythological Scene, with Jupiter and Juno
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Exterior View of Keylas (Kailasanatha)

Exterior View of Keylas (Kailasanatha)
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1795
Materials & Techniques:
Pen and black ink, gray wash and watercolor on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 26 1/2 inches (30.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Pl. IX Arch of Caracalla at Tebessa

Pl. IX Arch of Caracalla at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Design for Little Frogmore: Elevation

Design for Little Frogmore: Elevation
Creator:
James Wyatt, 1746–1813
Date:
1791
Materials & Techniques:
Watercolor, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 inches (59.7 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Tomb de la Chretienne/ Juba and Cleopatra

Tomb de la Chretienne/ Juba and Cleopatra
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Weighing Scale

Weighing Scale
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, and gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Plan of the circular temple at Baalbec

Plan of the circular temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Order of the Great Temple at Baalbec with descriptive notes attached

Order of the Great Temple at Baalbec with descriptive notes attached
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Roman Sketchbook

Roman Sketchbook
Creator:
Alexander Cozens, 1717–1786
Date:
1746
Materials & Techniques:
Sketchbook with sketches in graphite, pen and black ink, pen and brown ink, black wash, gouache and gray wash on medium, slightly textured, cream laid paper, bound in vellum
Dimensions:
Spine: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. East Side of Sheriff Hutton Castle

East Side of Sheriff Hutton Castle
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Poulterer's Shop

Poulterer's Shop
Creator:
William Henry Pyne, 1769–1843
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/16 × 4 5/16 inches (11 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Landing of William of Orange at Tor Bay

Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Totnes from the Seymour Hotel

Totnes from the Seymour Hotel
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1838
Materials & Techniques:
Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Queen Anne's Court, Cheyne Walk, Chelsea

Queen Anne's Court, Cheyne Walk, Chelsea
Creator:
Henry Greaves, 1850–1900
Date:
1874
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, pen and black ink, and graphite on thick, smooth, cream card
Dimensions:
Sheet: 20 × 25 inches (50.8 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Old Chelsea Church

Old Chelsea Church
Creator:
Walter Greaves, 1846–1930
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View of Steiereck on the Danube

View of Steiereck on the Danube
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1636
Materials & Techniques:
Pen and brown ink, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 9 1/4 inches (10.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Beauvais

Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Temple of Jupiter Panhellenios at Aegina

Temple of Jupiter Panhellenios at Aegina
Creator:
William Pars, 1742–1782
Date:
between 1764 and 1766
Materials & Techniques:
Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Temple Near the Site of Ancient Phigalia

Temple Near the Site of Ancient Phigalia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Pianura dell'Hermo in Faccia a Sardes

Pianura dell'Hermo in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. View of the Theater and Plan of the Ionic Temple at Sardis

View of the Theater and Plan of the Ionic Temple at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (54 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Members of a Corinthian Temple in Ruins at Ephesus

The Members of a Corinthian Temple in Ruins at Ephesus
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 3/16 inches (54.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/8 inches (54 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Mausolio d'Haliatte in Faccia a Sardes

Mausolio d'Haliatte in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 7/16 inches (38.3 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Members of an Ionic Temple at Teos

Members of an Ionic Temple at Teos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (53.9 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. View of the Valley of Sardis and View of a Ruined Bridge

View of the Valley of Sardis and View of a Ruined Bridge
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash and watercolor over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 5/16 x 14 15/16 inches (54.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Plans and Views of Two Pyramids, One Cephron's at Giza

Plans and Views of Two Pyramids, One Cephron's at Giza
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (54 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. View and Plan of the Grotto of St. Jerome at Lydda (Lod)

View and Plan of the Grotto of St. Jerome at Lydda (Lod)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 7/8 inches (54.4 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. View and Plan of the Grotto of Gethsemene

View and Plan of the Grotto of Gethsemene
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.4 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Topographical View of the Pyramids at Giza

Topographical View of the Pyramids at Giza
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (53.9 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Sepolcro di Absalon

Sepolcro di Absalon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 13/16 inches (54.4 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Plan of Jerusalem

Plan of Jerusalem
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Plan of the Second Theater of Laodicea and Details of a Composite Order

Plan of the Second Theater of Laodicea and Details of a Composite Order
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/8 x 14 13/16 inches (53.6 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Details of the Ionic Temple at Toreh

Details of the Ionic Temple at Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 7/8 inches (53.9 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. A Stage Coach Outside of the Entrance of an Inn

A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Hounds in a Landscape

Hounds in a Landscape
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, black ink, charcoal crayon, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 12 1/4 inches (36.4 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. A Rhinoceros in the Peshwa's Menagerie at Poona

A Rhinoceros in the Peshwa's Menagerie at Poona
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
1790
Materials & Techniques:
Pen and black ink, brown ink, gray wash, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 14 5/8 inches (22.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Gates of the Alhambra: Puerta de los Siete Suelos

Gates of the Alhambra: Puerta de los Siete Suelos
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Vue de la Colline Entre le Tonnelles & Lar Prês de Spa

Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Frieze and Capital of the Ionic Temple at Toreh

Frieze and Capital of the Ionic Temple at Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 15/16 inches (53.8 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. View of Micale Promontorio

View of Micale Promontorio
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 3/8 inches (37.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Plan of the Port of Sigacik (ancient Teos)

Plan of the Port of Sigacik (ancient Teos)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View of Sigacik (Ancient Teos)

View of Sigacik (Ancient Teos)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/4 inches (37.2 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. View of a Long Aqueduct

View of a Long Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection