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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms genre subject
Remove constraint Subject Terms: genre subjectSearch Results
1
- Ivy Cottage, Shoreham
- undated
2
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
3
- A Recollection of the New R.A
- 1837
4
- Grotesque Male Head
- undated
5
- Young Anglers
- 1811
6
- The Straw Yard
- 1808
7
- High Street, Edinburgh
- ca. 1818
8
- Study of the Head of a Young Man
- undated
9
- Landscape at Ambleside
- ca. 1800
10
- Haymakers
- undated
11
- Capriccio of a Venetian Courtyard
- undated
12
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
13
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
14
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
15
- The Smock Exposed
- 1817
16
- Hogarth Drawing Sarah Malcolm
- 1817
17
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
18
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
19
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
20
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
21
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
22
- Interior of a Coppersmith's, Shoe Lane
- undated
23
- Musicians and a Performing Bear
- undated
24
- Page Boy Asleep
- undated
25
- Sketch for "Reading the Will"
- before 1820
26
- Coast Scene near Plymouth
- undated
27
- The Monnow Bridge, Monmouthshire
- before 1814
28
- The Chelsea Pensioners Reading the Waterloo Dispatch
- before 1822
29
- Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
- undated
30
- Weeke's Museum, Coventry Street, London
- undated
31
- Man Haranguing a Gatepost
- undated
32
- Rural Scene
- undated
33
- Figure Sketches
- undated
34
- A Scene at Windsor
- undated
35
- The Porch, Reims Cathedral
- ca. 1840
36
- Venetian Fantasy
- undated
37
- The Manse, Cults, Fife: The Artist's Old Home
- undated
38
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
39
- River Ferry with Many Passengers and Animals
- undated
40
- Dr. Syntax Made Free of the Cellar
- undated
41
- Wayfarers
- undated
42
- A London Street Crier
- undated
43
- A Street at Night with Figures at a Stall
- 1849
44
- Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
- undated
45
- Fish Market, Hastings
- 1824
46
- Author Reading from a Manuscript to Four Ladies
- undated
47
- A Fashionable Audience
- undated
48
- View at Caernarvon, Wales
- 1826
49
- Studies of Groups of Heads
- undated
50
- Figures Harvesting
- undated
51
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
52
- Girl and Boy Anglers
- 1791
53
- A Lady Painting
- 1837
54
- Battledore and Shuttlecock
- ca. 1740
55
- Flying the Kite
- ca. 1740
56
- The Visiting Card - Langham Sketching Club Subject
- undated
57
- View of Old London Bridge
- 1825
58
- A Farmyard
- ca. 1815
59
- A Street in a Country Village
- ca. 1815
60
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
61
- Nîmes from the Tour Magne
- ca. 1765
62
- Sheet of Studies of Deer, Figures and Landscape
- undated
63
- Peasants in a Grotto
- undated
64
- Poulterer's Shop
- undated
65
- A Study for the Pilkington Crest, a mower with a scythe
- undated
66
- Rustics with Poultry Returning from Market
- undated
67
- Thatched Roof and Tree
- undated
68
- The Picnic
- undated
69
- Accepted
- 1853
70
- Design for a Greenhouse at Kew Gardens
- undated
71
- Woodcutters in a Forest
- undated
72
- Dr. Munro's Carpenter at Work
- ca. 1815
73
- Study of a Young Girl, Seated
- undated
74
- Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
- undated
75
- Kingston Lacy, Dorset
- undated
76
- View of Lucan House
- 1782
77
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
78
- London Cries: "Do You Want any Spoons..."
- ca. 1759
79
- London Cries: Boy with a Donkey
- ca. 1759
80
- London Cries: A Muffin Man
- ca. 1759
81
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
82
- London Cries: A Lace Seller
- ca. 1759
83
- London Cries: A Milkmaid
- ca. 1759
84
- The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
- 1832
85
- A Satyr's Head
- 1836
86
- Grace Before Meat
- 1839
87
- 'I have formed thee for my praise'
- undated
88
- Convent at Valmontone. November 1790
- 1790
89
- A Country Stile
- ca. 1710
90
- The Fight Interrupted
- undated
91
- Woman and Child Holding a Doll
- between 1758 and 1760
92
- Loading Sacks into a Cart
- undated
93
- Two Women holding a Basket
- ca. 1759
94
- Game Keeper and Boy Ferreting a Rabbit
- ca. 1828
95
- Haughton, Field and Shepheard Fighting
- undated
96
- Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
- undated
97
- Landscape with Lake and Figures on a Rocky Road
- 1777
98
- Fisherman's Quarters, Robin Hood's Bay
- undated
99
- Kitchen Scene: Dunkerrin, September 1835
- 1835
100
- The Meat Market
- undated