Materials & Techniques: etching (printing process) / Genre: religious and mythological subject / Image Use: Free to Use

Print made by Daniel Allen, active 1830s

A Bacchanalian Vase

1830

Print made by Auguste Boulard, 1852–1927

A Difference of Opinion

1897

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Europa

1802

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Sir Muirhead Bone, 1876–1953

A Spanish Good Friday

1925

Print made by James Redaway, 1797–1858

A Suttee

1844

Francesco Bartolozzi, 1728–1815

Adam and Eve in Paradise

1790

Francesco Bartolozzi, 1728–1815

Adoration of the Magi

Etched by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Print made by Richard Earlom, 1743–1822

Alope

1787

Print made by Francesco Bartolozzi, 1728–1815

Another View of the Temple of Aesculapius

1764

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Print made by Lumb Stocks, 1812–1892

Apollo Killing the Python

between 1859 and 1861

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by Richard Earlom, 1743–1822

Bathsheba Bringing Abishag to David

1779

James Basire the younger, 1769–1822

Benjamin Hoadly, Bishop of Winchester

1771

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

William Woollett, 1735–1785

Ceyx and Alcyone

1769

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

Francesco Bartolozzi, 1728–1815

Cherubim and Seraphim

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by Anthony Cardon, 1772–1813

Cupid Wounded

1801

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Begraving

ca. 1820

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Geboorten

ca. 1820

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Hemelvaart

ca. 1820

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Kruisiging

ca. 1820

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Print made by T. Kelly, active ca. 1837

Devotees in India Sacrificing Themselves to the Idol Juggernaut

1837

Print made by James T. Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

William Woollett, 1735–1785

Dido and Aeneas

1787

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Edward Goodall, 1795–1870

Dido Building Carthage

between 1859 and 1861

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by Frederick Landseer Maur Griggs, 1876–1938

Epiphany

1919

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820