A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
5
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
6
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
7
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
8
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
9
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
10
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
11
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
12
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
13
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
15
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
16
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
19
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
20
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
21
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
22
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
23
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
45
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
47
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
48
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
49
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
51
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
52
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
53
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
54
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
55
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
56
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
57
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
59
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
60
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
61
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
62
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
63
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
64
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
65
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
66
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
68
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
69
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
70
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
72
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
73
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
74
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
77
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
78
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
79
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
80
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
81
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
82
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
83
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
84
unknown artist
Exterior of Painted Chamber, North View
undated
85
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
87
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
88
unknown artist
Gateway Leading into Dean's Yard
undated
89
unknown artist
Grave of the Supposed William Lyndewode
1852
90
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
91
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
92
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
93
unknown artist
Henry VII Chapel, Westminster Abbey
undated
94
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
95
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
96
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition