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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryImage Available Available
Remove constraint Image Available: AvailableWork Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- Trees and Deer
- 1825
3
- Cottage among Trees
- ca. 1795
4
- Helmingham: The Silent Pool
- ca. 1800
5
- Mr. Hobson of Markfield and Family
- ca. 1806
6
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
7
- Study of Waves
- undated
8
- Shoreham, Kent
- between 1831 and 1832
9
- An Ancient Barn at Shoreham
- undated
10
- Cornfields with Barn, Shoreham
- ca. 1829
11
- A Cottage among Trees, Shoreham
- undated
12
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
13
- The Primitive Cottage, Shoreham
- undated
14
- Opening the Fold: Early Morning
- ca. 1880
15
- Boxhill
- 1868
16
- Study for "The Shearers"
- between 1833 and 1834
17
- Rheinfels Looking to Katz and Gourhausen
- 1817
18
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
19
- Garden Reach - Calcutta
- undated
20
- Town and Port of Calcutta
- 1812
21
- Office of the Sudder Board of Revenue from Kyd Street - Calcutta
- undated
22
- Statue of the Marquis of Hastings in Tank Square - Calcutta
- undated
23
- Water View near Calcutta
- undated
24
- Chowringhee Road from No. XI Esplanade
- undated
25
- Soliders in Costume of the Middle Ages around a Blazing Idol
- undated
26
- Bowmen at a Moonlit Lake Shooting Wildfowl
- undated
27
- Edinburgh Castle and Horse Fair
- ca. 1828
28
- A Sheet of Sketches - Theatrical Studies
- undated
29
- Design for Grosvenor Bridge, Chester
- ca. 1825
30
- Design for Covent Garden Drop Curtain
- 1823
31
- Alicante, Spain
- 1853
32
- Sarcophagus in a Church
- May 10, 1806
33
- The Walls of Jericho
- 1834
34
- Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
- 1802
35
- Near Sterzing, Tyrol
- ca. 1800
36
- Two Trees
- undated
37
- Landscape with Waterfall
- undated
38
- Indian Statue
- undated
39
- S. Simon Petrus
- undated
40
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
41
- Beauvais
- ca. 1831
42
- A Castle at the Waterside by Moonlight
- undated
43
- The Building of Waterloo Bridge
- ca. 1816
44
- River Bank With High Rocks
- undated
45
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
46
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
47
- Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
- 1802
48
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
49
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
50
- High Street at Bushey, Hertfordshire
- 1812
51
- Capel Church, Near Dorking, Surrey
- undated
52
- Wayfarers
- undated
53
- Two Little Girls
- ca. 1810
54
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
55
- Cheyne Walk, Old Chelsea
- 1861
56
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
57
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
58
- Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
- 1802
59
- Peter the Wild Boy
- undated
60
- Henry Fuseli
- undated
61
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
62
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
63
- Part of Goodrich Castle
- 1842
64
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
65
- Chiddingstone Place, View from the Lake
- ca. 1850s
66
- Scene from Quentin Durward
- 1833
67
- Custom House and St. Vincent's Wharf
- 1851
68
- Landscape at Ambleside
- ca. 1800
69
- Cedros Bay
- 1857
70
- The Cottage, Residence of the Governor
- 1857
71
- The Reservoir at Maraval
- 1857
72
- Forest Scenery near Tamana
- 1857
73
- Corbeaux Town, Port of Spain
- 1857
74
- View from Laventille Hill
- 1857
75
- Avenue and Entrance to St. James Barracks
- 1857
76
- Los Gallos, Icacos Bay
- 1857
77
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
78
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
79
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
80
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
81
- Hogarth Sitting to Roubiliac for His Bust
- 1817
82
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
83
- Welsh Landscape
- ca. 1800
84
- Wychwood Forest
- 1806
85
- Bridge over Stream, North Wales
- 1800
86
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
87
- Hogarth Declaring His Love to Miss Thornhill
- 1817
88
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
89
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
90
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
91
- The Smock Exposed
- 1817
92
- The Reconcilation
- 1817
93
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
94
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
95
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
96
- The Eleventh Hour
- 1817
97
- Miss Elizabeth Siddal
- between 1854 and 1855
98
- Goat Hill and Ships
- ca. 1820
99
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820
100
- A View of Carlisle Bay, Barbados, with Cottages
- ca. 1820