Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
1206
Print made by T. Blood, active 1812–1814
Jacob Bryant Esq
between 1812 and 1814
1207
John Keyse Sherwin, c.1751–1790
Lancelot Brown Esq
ca. 1769
1208
Print made by Charles Heath, 1785–1848
Thomas Gray
undated
1209
Print made by John Bell, 1811–1895
And This Was Caesar
between 1838 and 1850
1210
Print made by Robert Cooper, ca. 1800–1836
A. More
1826
1211
Alexander Bannerman, ca. 1730–1780
Daniel Mytens
1762
1212
Print made by George Cooke, 1781–1834
Humphry Repton, Esq
1820
1213
Henry Griffiths, 1835–1849
Martin Archer Shee
1846
1214
Alexander Bannerman, ca. 1730–1780
Henry Steenwyck
undated
1215
Print made by William Thomas Fry, 1789–1843
Martin Archer Shee, Esq., R. A
1817
1216
Print made by Samuel Freeman, 1773–1857
John Smith
undated
1217
Print made by R. Clamp, fl.1789–1798
John Taylor
1796
1218
Print made by Samuel Freeman, 1773–1857
Henry Tresham, R. A
1809
1219
Print made by Anthony Cardon, 1772–1813
Henry Tresham, Esq. R. A
1814
1220
Print made by Francis Croll, baptized 1826–1854
Rev.d John Thomson
undated
1221
Alexander Bannerman, ca. 1730–1780
Anthony van Dyck
undated
1222
Alexander Bannerman, ca. 1730–1780
Anthony Vandyck
undated
1223
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence
1810
1224
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
1225
unknown artist
Henry Fuseli, Esq
1808
1226
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
1227
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
1228
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
1229
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
1230
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
1231
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
1232
Francesco Bartolozzi, 1728–1815
Adelaide
1798
1233
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
1234
Francesco Bartolozzi, 1728–1815
Fonrose
1798
1235
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
1236
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
1237
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
1238
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
1239
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
1240
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1241
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
1242
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
1243
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
1244
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1245
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1778
1246
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
1247
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1248
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
1249
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
1250
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
1251
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
1252
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1253
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
1254
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
1255
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
1256
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
1257
Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
1258
Print made by Matthew Darly, active 1754–1778
Matthew Darly
1775
1259
Sir George Hayter, 1792–1871
Sir George Hayter
1822
1260
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
1261
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
1262
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
1263
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1264
Print made by Francesco Bartolozzi, 1728–1815
Francis Grose
1787
1265
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
1266
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
1267
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
1268
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
1781
1269
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
1270
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
1271
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
1272
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
1273
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
1274
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
1275
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
1276
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
1277
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
1278
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door