Materials & Techniques: wove paper and aquatint / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Classification: Prints

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Thomas Malton, 1726–1801

Lincoln Cathedral

1800

unknown artist

Visit to the Convent at Amiens

1803

Print made by Sir Frank Short, 1857–1945

Moonlight at Sea, Off the Isle of Wight

1896

Print made by Sir Frank Short, 1857–1945

Moonlight at Sea, Off the Isle of Wight

1896

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

unknown artist

Returning from a Review...Paris

1802

unknown artist

Inn Yard at Calais

1802

unknown artist

Breakfast at Breteuil

1801

unknown artist

Changing Horses Near Clermont

1802

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Robert Pollard, 1755–1838

Vaux-Hall

1785

James Mitan, 1776–1822

The Pavilion & Steyne at Brighton

1806

Robert Pollard, 1755–1838

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Richard Banks Harraden, 1778–1862

The Waterworks at Marli; and St. German en Laye seen in the distance

1803

Richard Gilson Reeve, 1803–1889

The Victoria Steam Ship at Hull

ca. 1837

Richard Gilson Reeve, 1803–1889

View of the Port of Liverpool

1836

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1815

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Thomas Girtin, 1775–1802

View of the City with the Louvre &c. taken from Pont Marie

1802

etching by Thomas Girtin, 1775–1802

A General View of Paris taken from Chaillot

1803

Thomas Girtin, 1775–1802

View of Pont St. Michel, taken from Pont Neuf

1803

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

1803

Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1803

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1803

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

Robert Dodd, 1748–1816

Howe's Victory off Ushant

1795

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by James Clark, 19th century

Cowdray Ruins

1824

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Robert Havell, 1769–1832

Clifton Spring and Woods near Maidenhead

1818

Charles Rosenberg, active 1828–1848

Harwich

1841

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1814

Thomas Malton the Younger, 1748–1804

Kings College, the Chapel and Clare Hall in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

John Bluck, active 1791–1831

Encouragement of Arts &c, Adelphi

1809

Daniel Havell, 1785–1826

A View of the Bank of England

1816

unknown artist

North Front of the Bank

1797

unknown artist

South Front of the Bank

1798

John Bluck, active 1791–1831

On the Thames near Battersea

1809

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Print made by Robert Pollard, 1755–1838

The Distress'd Situation of the Dutton East Indiaman

1796

John Bluck, active 1791–1831

Ackerman's Library for Works of Art

1813

Thomas Malton, 1726–1801

Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

1790

Robert Pollard, 1755–1838

View of Bloomsbury Square

1787

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Print made by Samuel Freeman, 1773–1857

Iris

1808

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

Henry Papprill, 1816–d.after 1883

Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders

1857

Richard Livesay, 1753–1826

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

1799

Thomas Malton the Younger, 1748–1804

The Great Court and Chapel of Trinity College in the University of Cambridge

1798

Thomas Malton the Younger, 1748–1804

Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

1798

Thomas Malton the Younger, 1748–1804

The East Front of the Library of Trinity College in the University of Cambridge

1800

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Thomas Rowlandson, 1756–1827

Undertakers Regaling

1801

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806