The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
9
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
10
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
11
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
12
Print made by John Bogle, 1746–1804
Night Watchman
1776
13
William Lee Hankey, 1869–1952
The Flight from Belgium
1914
14
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
15
Print made by unknown artist
Panthei Fidelissime Dimensi Exterior et Interior
1553
16
Print made by unknown artist
Panthei Fidelissime Dimensi Exterior et Interior
1553
17
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
18
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
19
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
20
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
21
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
22
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
23
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
24
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
25
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
26
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814 to 1826
27
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
28
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
29
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
30
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
31
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
32
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
33
Print made by William Bernard Cooke, 1778–1855
The Mewstone, Entrance of Plymouth Sound
1815
34
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
35
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
36
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
37
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
38
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
39
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
40
Print made by James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
41
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
42
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
43
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
44
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
45
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
46
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
47
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
48
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
49
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
50
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
51
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
52
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
53
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
54
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
55
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
56
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
57
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
58
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
59
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
60
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
61
Print made by David Lucas, 1802–1881
Flatford Mill
1844
62
Print made by David Lucas, 1802–1881
Noon
1830
63
Print made by David Lucas, 1802–1881
A Mill
1830
64
Print made by David Lucas, 1802–1881
Summer Morning
1831
65
Print made by David Lucas, 1802–1881
Summer Evening
1831
66
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815