Materials & Techniques: line engraving / Period: 19th century / Image Use: Free to Use

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Theocritus

1821

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Elevations

undated

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Print made by Edward Goodall, 1795–1870

The Forum

1830

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo

1830

Print made by John Pye, 1782–1874

Paestum (Vignette)

1830

Print made by William Bernard Cooke, 1778–1855

The Mewstone, Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Print made by Edward Alfred Goodall, 1819–1908

A Tournament in St. Mark's Place

1830

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

Print made by Daniel Allen, active 1830s

Cristina

1830

Print made by Daniel Allen, active 1830s

A Rural Entertainment

1830

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1818-1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870

Columbus Setting Sail

1834

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

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Materials & Techniques line engraving

Period 19th century

Image Use Free to Use

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Period 19th century

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