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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms woman

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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
John Constable Mary Constable Reading
John Constable, 1776–1837
Mary Constable Reading
1812
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
Francesco Bartolozzi Hebe
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
John Young The Flower Girl
John Young, 1755–1825
The Flower Girl
1785
Francesco Bartolozzi Paris and Oenone
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
James Duffield Harding Lane Scene
James Duffield Harding, 1798–1863
Lane Scene
1829
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
Francesco Bartolozzi Miss Anna Brunton
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
Francesco Bartolozzi Mrs. Chambers
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Chambers
1782
Francesco Bartolozzi Queen Charlotte
Print made by Francesco Bartolozzi, 1728–1815
Queen Charlotte
1794
Francesco Bartolozzi Maria Cosway
Print made by Francesco Bartolozzi, 1728–1815
Maria Cosway
1785
Francesco Bartolozzi Miss Gunning
Print made by Francesco Bartolozzi, 1728–1815
Miss Gunning
ca. 1796
Francesco Bartolozzi Mrs. Gautherot
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Gautherot
1790
Francesco Bartolozzi Miss Anna Crouch
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Crouch
1788
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Francesco Bartolozzi Mrs. Siddons
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Siddons
1785
Francesco Bartolozzi Mrs. Hannah Sparke
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Hannah Sparke
1785
Marino Bovi Lady Sinclair
Print made by Marino Bovi, Italian, 1758–ca.1805
Lady Sinclair
1791
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1782
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
Francesco Bartolozzi The Watercress Girl
Print made by Francesco Bartolozzi, 1728–1815
The Watercress Girl
1796
Francesco Bartolozzi The Death of Cora
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Johann Jacobus Haid Mr. Garrick in "The Farmer's Return"
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Francesco Bartolozzi Venus Chiding Cupid
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
James Basire the younger Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
Print made by James Basire the younger, 1769–1822
Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
undated
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
Francesco Bartolozzi Ticket: Walker's Lectures
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
Augustus Edwin John Alick Shepeler
Augustus Edwin John, 1878–1961
Alick Shepeler
undated
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
Augustus Edwin John Dorelia Asleep
Augustus Edwin John, 1878–1961
Dorelia Asleep
1903
Gwen John Elisabeth de Willman Grabowska standing three- quarter length
Gwen John, 1876–1939
Elisabeth de Willman Grabowska standing three- quarter length
between 1916 and 1918
Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
George Denholm Armour Taking a Fence Side-Saddle
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
James Seymour A Lady and a Gentleman Riding Out
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
Cecil Charles Windsor Aldin `Hold Back, Sir!'
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
Edward Francis Burney An Allegory of America Carrying the Cap of Liberty
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
James Seymour A Gentleman on a Managed Horse Riding Out With a Lady
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
Thomas Stothard December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
Hablot Knight Browne The Buxom Hostess
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
Edmund Thomas Parris Studies of Tradesmen and Grooms
Edmund Thomas Parris, 1793–1873
Studies of Tradesmen and Grooms
undated
Samuel Prout A Seated Peasant Woman Seen From Behind
Samuel Prout, 1783–1852
A Seated Peasant Woman Seen From Behind
undated
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Samuel Prout A Peasant Woman, Standing, Seen From Behind
Samuel Prout, 1783–1852
A Peasant Woman, Standing, Seen From Behind
undated
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Samuel Wale An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Thomas Rowlandson Cat Like Courtship
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
Thomas Girtin Chalfont Lodge, Buckinghamshire
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
Thomas Gainsborough Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780