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Materials & Techniques etching (printing process)

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Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
George Cruikshank The First Step
Print made by George Cruikshank, 1792–1878
The First Step
undated
James Pollard Cottager's Hospitality to Travellers of The Coach Broke Down
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
George Cruikshank Untitled
Print made by George Cruikshank, 1792–1878
Untitled
undated
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
George Cruikshank Lismahago's Retaliation
Print made by George Cruikshank, 1792–1878
Lismahago's Retaliation
undated
George Cruikshank Capricornus - A Caper- o' - corns
Print made by George Cruikshank, 1792–1878
Capricornus - A Caper- o' - corns
undated
George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
George Cruikshank Virgo - Unmatched Enjoyment
Print made by George Cruikshank, 1792–1878
Virgo - Unmatched Enjoyment
undated
unknown artist A View of the Royal Palace at Naples
Print made by unknown artist
A View of the Royal Palace at Naples
undated
unknown artist A View of the Piazza Navona in the City of Rome
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
unknown artist A View of the Piazza del Popolo in the City of Rome
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft
Print made by George Cruikshank, 1792–1878
Jack Sheppard Accuses Thames Darrell of the Theft
1839
Stanley Anderson Horse Guards
Print made by Stanley Anderson, 1884–1966
Horse Guards
1911
Austin, Robert, 1895-1973 The Cathedral, Palma
Print made by Austin, Robert, 1895-1973, 1895–1973
The Cathedral, Palma
1928
Austin, Robert, 1895-1973 Women at Prayer
Print made by Austin, Robert, 1895-1973, 1895–1973
Women at Prayer
1936
Sir Muirhead Bone A Spanish Good Friday
Print made by Sir Muirhead Bone, 1876–1953
A Spanish Good Friday
1925
Sir David Young Cameron The Palace, Stirling Castle
Print made by Sir David Young Cameron, 1865–1945
The Palace, Stirling Castle
1893
Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]
Print made by Sir David Young Cameron, 1865–1945
Ponte Vecchio [North Italian Set: No. 21]
1895
Sir David Young Cameron A Venetian Fountain [North Italian Set: No. 7]
Print made by Sir David Young Cameron, 1865–1945
A Venetian Fountain [North Italian Set: No. 7]
1894
Austin, Robert, 1895-1973 Early Spring, Gloucestershire
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
Sir David Young Cameron Roslyn
Print made by Sir David Young Cameron, 1865–1945
Roslyn
1899
Sir David Young Cameron Porta del Molo, Genoa [North Italian Set: No. 23]
Print made by Sir David Young Cameron, 1865–1945
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
Sir David Young Cameron Dinant [Belgian Set: No. 9]
Print made by Sir David Young Cameron, 1865–1945
Dinant [Belgian Set: No. 9]
1907
Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]
Print made by Sir David Young Cameron, 1865–1945
Notre Dame, Dinant [Belgian Set: No. 8]
1907
Sir David Young Cameron The Belfry of Bruges [Belgian Set: No. 6]
Print made by Sir David Young Cameron, 1865–1945
The Belfry of Bruges [Belgian Set: No. 6]
1907
Sir David Young Cameron The Five Sisters, York Minister
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
Austin, Robert, 1895-1973 Romance
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
Austin, Robert, 1895-1973 Salus Infirmorum
Print made by Austin, Robert, 1895-1973, 1895–1973
Salus Infirmorum
1922
Robert Bryden Auld Brig, Ayr
Print made by Robert Bryden, 1865–1939
Auld Brig, Ayr
1904
Sir David Young Cameron The Palace of the Stuarts
Print made by Sir David Young Cameron, 1865–1945
The Palace of the Stuarts
1898
Sir David Young Cameron Montivilliers
Print made by Sir David Young Cameron, 1865–1945
Montivilliers
1903
Sir David Young Cameron The North Porch, Harfleur
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
Sir David Young Cameron The North Porch, Harfleur
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
Sir David Young Cameron Belgian Set: Damme [No. 5]
Print made by Sir David Young Cameron, 1865–1945
Belgian Set: Damme [No. 5]
1907
Sir David Young Cameron The Five Sisters, York Minister
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
Sir David Young Cameron Beauvais
Print made by Sir David Young Cameron, 1865–1945
Beauvais
1910
Sir David Young Cameron Yvon
Print made by Sir David Young Cameron, 1865–1945
Yvon
1911
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850