Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
7
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
8
unknown artist
Elevation of the Ordnance Office
after 1780
9
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
10
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
11
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
12
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
13
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
14
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
15
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
16
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
17
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
18
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
19
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
20
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
21
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
22
unknown artist
View of Cumberland Terrace
undated
23
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
24
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
25
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
36
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
37
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
40
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
41
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
42
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
43
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
44
Print made by unknown artist
Part of Westminster
ca. 1850
45
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
46
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
47
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
48
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
49
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
50
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
51
Attributed to John Carter, 1748–1817
Springing of groins
1815
52
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
53
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
54
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
55
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
56
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
57
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
58
unknown artist
Westminster Hall
ca. 1850
59
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
60
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
61
unknown artist
Henry VII Chapel, Westminster Abbey
undated
62
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
64
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
65
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
66
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
67
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
68
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
73
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
74
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
75
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
76
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
77
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
78
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
79
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
80
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
81
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
82
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
84
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
85
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
89
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
93
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
97
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
98
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
99
unknown artist
Grave of the Supposed William Lyndewode
1852
100
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster