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401. East Side of Mr. Hare's New House

East Side of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. Herstmonceux

Herstmonceux
Creator:
Charles Gore, 1729–1807
Date:
1787
Materials & Techniques:
Watercolor and pen and brown ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 15 1/4 × 7 1/16 inches (38.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. Plans of Ancient Roman Baths: Terme Antoniane

Plans of Ancient Roman Baths: Terme Antoniane
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

Queen's College, Oxford: Plan and Elevation of Hall and Chapel
Creator:
William Townesend, 1676–1739
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 x 23 3/4 inches (45.1 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Design for Kelham Hall, Nottinghamshire: Garden Elevation

Design for Kelham Hall, Nottinghamshire: Garden Elevation
Creator:
Anthony Salvin, 1799–1881
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 20 7/8 × 29 3/4 inches (53 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Kings Weston, Bristol: Basement Plan

Kings Weston, Bristol: Basement Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 18 9/16 inches (37.1 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. Kings Weston, Bristol: Ground Floor Plan

Kings Weston, Bristol: Ground Floor Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Plans of Ancient Roman Baths: Terme del Imp. Diocleziano

Plans of Ancient Roman Baths: Terme del Imp. Diocleziano
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with watercolor and pen and black ink over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. Kings Weston, Bristol: Entrance Front Elevation

Kings Weston, Bristol: Entrance Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with gray wash over graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 18 5/8 inches (36.8 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Kings Weston, Bristol: Garden Front Elevation

Kings Weston, Bristol: Garden Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 1/8 inches (37 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Plans of Ancient Roman Baths - Terme de M Agrippa

Plans of Ancient Roman Baths - Terme de M Agrippa
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with and pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. Kings Weston, Bristol: Side Elevation

Kings Weston, Bristol: Side Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 7 3/8 inches (32.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor, and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 15 5/8 × 12 1/8 inches (39.7 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slighy textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 6 inches (33.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, black ink, and brown ink; verso: white gouache on medium, slighy textured, brown laid paper
Dimensions:
Sheet: 10 1/8 × 5 1/8 inches (25.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown laid paper
Dimensions:
Sheet: 12 1/2 × 5 1/4 inches (31.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 inches (29.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 4 1/2 inches (26.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: yellow and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 5 3/4 inches (33.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/8 × 6 1/2 inches (33.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 4 3/4 × 4 1/4 inches (12.1 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 × 4 1/4 inches (21.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 3 3/4 inches (18.7 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 inches (34 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white and red gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 1/8 × 4 5/16 inches (15.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 × 3 5/8 inches (20.6 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 × 4 1/4 inches (20 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and ink on thin, smooth, wove paper
Dimensions:
Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1850
Materials & Techniques:
Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, black ink, red ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 1/2 inches (34 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 7/8 × 5 5/8 inches (30.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, brown ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 5/8 × 6 3/8 inches (34.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Brown ink, black ink, watercolor and gouache on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, blue ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 × 6 inches (29.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 10 1/2 × 5 5/8 inches (26.7 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 1/2 × 5 1/8 inches (31.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, green wove paper
Dimensions:
Sheet: 10 3/8 × 4 7/8 inches (26.4 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 9 1/4 × 6 3/16 inches (23.5 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink and pen, watercolor and gouache, verso: white gouache on medium, slightly textured, brown wove
Dimensions:
Sheet: 13 1/2 × 7 3/4 inches (34.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, pen, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 14 1/8 × 6 3/4 inches (35.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Vue: Constantinople

Vue: Constantinople
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 15/16 × 10 1/2 inches (17.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Adrian Hope's House I: Plan of the Basement

Adrian Hope's House I: Plan of the Basement
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 3/8 × 6 3/8 inches (23.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Cobham Hall, Kent: West Elevation of South Wing

Cobham Hall, Kent: West Elevation of South Wing
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Cobham Hall, Kent: Plan of Stables and Coach Houses

Cobham Hall, Kent: Plan of Stables and Coach Houses
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured beige laid paper
Dimensions:
Sheet: 21 1/4 x 35 inches (54 x 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Cobham Hall, Kent: Mezzanine Floor Plan of Stables

Cobham Hall, Kent: Mezzanine Floor Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, medium, cream laid paper
Dimensions:
Sheet: 12 3/4 x 21 1/4 inches (32.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Cobham Hall, Kent: Chamber Floor Plan of the Stables

Cobham Hall, Kent: Chamber Floor Plan of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 36 1/2 inches (54.6 x 92.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Cobham Hall, Kent: East Front Elevation of Stables

Cobham Hall, Kent: East Front Elevation of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, modrately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/4 inches (31.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Cobham Hall, Kent: West Front Elevation of the Stables

Cobham Hall, Kent: West Front Elevation of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. Cobham Hall, Kent: Elevation of the South Front of the Stables

Cobham Hall, Kent: Elevation of the South Front of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 21 1/4 inches (33 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Cobham Hall, Kent: Section through Stables

Cobham Hall, Kent: Section through Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 25 1/2 inches (54 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Cobham Hall, Kent: Plan of the Stables

Cobham Hall, Kent: Plan of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/2 inches (54.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 21 3/8 inches (33.3 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. Cobham Hall, Kent: North Elevation of Dairy

Cobham Hall, Kent: North Elevation of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink on medium, modterately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 x 23 1/4 inches (35.2 x 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 x 25 1/4 inches (52.7 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Cobham Hall, Kent: Ground Plan

Cobham Hall, Kent: Ground Plan
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 5/8 x 21 3/4 inches (57.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Cobham Hall, Kent: Full Size Drawing of Cross

Cobham Hall, Kent: Full Size Drawing of Cross
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower

Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash and watercolor on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Cobham Hall, Kent: Plan of the Ground Floor of the Offices

Cobham Hall, Kent: Plan of the Ground Floor of the Offices
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 20 5/8 inches (27.6 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Cobham Hall, Kent: Section Through the Offices

Cobham Hall, Kent: Section Through the Offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 21 7/8 inches (33.7 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 x 12 1/8 inches (48.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage

Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/2 x 21 1/2 inches (69.9 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered

A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
Creator:
Humphry Repton, 1752–1818
Date:
ca. 1790
Materials & Techniques:
Watercolor, graphite and black ink on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/4 × 29 inches (54 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. Frieze and Capitals (from Priene?)

Frieze and Capitals (from Priene?)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 inches (54.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 11 1/2 inches (48.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. Herstmonceux Castle, East Sussex: The Porter's Lodge

Herstmonceux Castle, East Sussex: The Porter's Lodge
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Herstmonceux Castle, East Sussex: The Hall

Herstmonceux Castle, East Sussex: The Hall
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Design for Clifton Castle, Yorkshire: Ground Floor Plan
Creator:
Thomas Harrison, 1744–1829
Date:
undated
Materials & Techniques:
Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. West Hill, the seat of D.H. Rucker

West Hill, the seat of D.H. Rucker
Creator:
Humphry Repton, 1752–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Design for Clifton Castle, Yorkshire: Ground Floor Plan
Creator:
Thomas Harrison, 1744–1829
Date:
undated
Materials & Techniques:
Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection