Design for Inkstand for Westminster No. 1, End Elevation
undated
6
Augustus Welby Northmore Pugin, 1812–1852
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
7
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
8
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
9
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
10
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
11
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
12
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
13
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
14
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
15
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
16
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
17
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
18
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
19
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
20
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
21
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
22
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
23
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
24
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
25
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
26
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
27
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
28
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
29
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
30
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
31
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
32
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
33
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
34
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
35
Attributed to John Carter, 1748–1817
Springing of groins
1815
36
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
37
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
38
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
39
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
43
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
44
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
45
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
46
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
51
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
53
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
54
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
56
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
66
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
67
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
68
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
69
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
70
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
71
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
72
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
73
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
74
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
75
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
79
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
80
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
81
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
82
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
83
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
84
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
85
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
86
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
87
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
88
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
89
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
90
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
91
George Harley, 1791–1871
Ruins of Westminster Palace
1834
92
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
93
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
94
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
95
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
96
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
97
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
98
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
99
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
100
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge