Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Associated Places: City of Westminster

1. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Family in Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768
Date:: between 1746 and 1747
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Proposed plan for Trafalgar Square

Creator:: George Belton Moore, 1805–1875
Date:: 1841
Materials & Techniques:: Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Large Church (Westminster Abbey) at Sunset

Creator:: Attributed to Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Portico of St. Martin-in-the-Fields

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1862
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

Creator:: John Linnell, 1792–1882
Date:: 1830
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Private View of the Royal Academy

Creator:: William Payne, active 1850s
Date:: 1858
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Green Park

Creator:: George Sidney Shepherd, 1784–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Houses of Parliament

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Part of Regent's Park

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

Creator:: William Parrott, 1813–ca. 1869
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 × 8 3/8 inches (11 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Holbein's Gateway and Jones's Banqueting House, Whitehall...

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of Cumberland Terrace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Cave of the Golden Calf: Study of Geometric Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

26. Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

27. Cave of the Golden Calf: Study of Musicians and Animals

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 x 8 1/4 inches (20.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

28. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

29. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite, colored pencil and crayon on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

30. Cave of the Golden Calf: Study of Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 1/8 inches (35.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

31. Cave of the Golden Calf: Study of a Tree House with Primitive People

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

32. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Cave of the Golden Calf: Figure Studies

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

34. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

35. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

36. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

Creator:: John Linnell, 1792–1882
Date:: after 1812
Materials & Techniques:: Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The National Gallery

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

43. Exhibition of Royal Academy

Creator:: Print made by Pietro Antonio Martini, 1738–1797
Date:: 1787
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 x 20 1/2in. (38.1 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Penitentiary and Distant View of Westminster Bridge

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Cave of the Golden Calf: Study for Mural

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pastel on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Cave of the Golden Calf: Study of Two Frenzied Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor, graphite, and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. York House: Plan of Principle Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. York House: Plan of the Ground Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 11 5/16 inches (23.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Statue of Achilles in Hyde Park

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1827
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Cave of the Golden Calf: Study for Deer Hunting Mural

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

59. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

60. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Henry VII Chapel

Creator:: William Capon, 1757–1827
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Springing of groins

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Creator:: Print made by John Carter, 1748–1817
Date:: 1791
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, white wove paper
Dimensions:: Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Continuation of Details

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Houses Adjacent to Westminster Abbey in the Process of Demolition

Creator:: John Phillipps Emslie, 1839–1913
Date:: 1896
Materials & Techniques:: Graphite and watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817
Date:: between 1780 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. South East View of the Towers of the Abbey, &c. from College St. Westminster

Creator:: John Carter, 1748–1817
Date:: 1782
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Doorway, Dean's Yard, Westminster

Creator:: Attributed to Sir Charles Barry, 1795–1860
Date:: 1837
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: 1792
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Buildings on North Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Detail for Preceding Elevations

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Detail, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Creator:: Print made by unknown artist
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Thames with Montagu House and Westminster Bridge

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:: Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

92. Westminster Bridge under Construction

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

93. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

94. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Sections of Room under Painted Chamber

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of Guy Fawkes' Tower

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plate XXXVIII: House of Lords, as Fitted up in 1835

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1836
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The House of Lords, as Restored after the Fire

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Associated Places City of Westminster

Search Results

1. The Bayhorse, Tattersall’s

2. A Family in Hyde Park

3. The Gunpowder Magazine, Hyde Park

4. The City of Westminster from Near the York Water Gate

5. A Proposed plan for Trafalgar Square

6. Whitehall Palace, London: Section of Proposed Design

7. Whitehall Palace, London: Elevation of Proposed Design

8. A Large Church (Westminster Abbey) at Sunset

9. Scenery, Haymarket Theatre

10. Perspective View: the New Houses of Parliament

11. The Portico of St. Martin-in-the-Fields

12. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

13. York Water Gate

14. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

15. Private View of the Royal Academy

16. Green Park

17. The Houses of Parliament

18. Ambulatory, Westminster Abbey

19. Westminster Abbey from Dean's Yard

20. Part of Regent's Park

21. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

22. Elevation of the Ordnance Office

23. Holbein's Gateway and Jones's Banqueting House, Whitehall...

24. View of Cumberland Terrace

25. Cave of the Golden Calf: Study of Geometric Figures

26. Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf

27. Cave of the Golden Calf: Study of Musicians and Animals

28. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

29. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

30. Cave of the Golden Calf: Study of Dancers

31. Cave of the Golden Calf: Study of a Tree House with Primitive People

32. St. Martin's Church

33. Cave of the Golden Calf: Figure Studies

34. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

35. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

36. Monstrosities of 1822 - Pt. 5

37. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

38. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

39. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

40. Gems of the Great Exhibition No. 4: The Foreign Department

41. The Great Exhibition: Exterior View from the Southwest

42. The National Gallery

43. Exhibition of Royal Academy

44. The Penitentiary and Distant View of Westminster Bridge

45. Buckingham House, St. James' Park

46. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

47. Cave of the Golden Calf: Study for Mural

48. Cave of the Golden Calf: Study of Two Frenzied Dancers

49. Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals

50. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

51. York House: Plan of Principle Floor

52. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

53. Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side

54. York House: Plan of the Ground Floor

55. Statue of Achilles in Hyde Park

56. Cave of the Golden Calf: Study for Deer Hunting Mural

57. The Exhibition Stare-Case, Somerset House

58. L'Adieu

59. Somerset House, London

60. Door-way in Wall of South Precints of Westminster Abbey

61. Part of the Old Dormitory

62. Henry VII Chapel

63. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

64. Springing of groins

65. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

66. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

67. Continuation of Details

68. Continuation of Detail

69. Seats in Henry VII Chapel, Westminster Abbey

70. Figure study, Henry VII Chapel

71. Skating on the Serpentine

72. Hyde Park Corner

73. Soldiers in St. James Park