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Collection Prints and Drawings

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Genre landscape

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Subject Terms literary theme

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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Dryburgh
Print made by William Miller, 1796–1882
Dryburgh
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller The Rhymer's Glen (Vignette)
Print made by William Miller, 1796–1882
The Rhymer's Glen (Vignette)
1835
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1843
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834, reprinted 1851
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1853 reprint
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
Sir Frank Short Procris and Cephalus
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Study for the Damned
unknown artist
Study for the Damned
undated
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
Rev. William Warren Porter Castle of Udolpho
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
Pellissier & Allen Venus and Adonis
Print made by Pellissier & Allen, active late 19th century
Venus and Adonis
1900
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated