On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Associated Places: England / Image Available: Available

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Newark - upon - Trent

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Dent de Lion, Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Hurries, Coal Boats Loading, North Shields

Creator:: attributed to Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Saint Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Ely Cathedral

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Plans for the House to be Built at Hampstead

Creator:: George Romney, 1734–1802
Date:: 1794
Materials & Techniques:: Various media, including: graphite; pen and brown ink over graphite
Dimensions:: Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

16. Landscape in Westmoreland

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

17. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Corsham Court, Wiltshire: Elevation of the North Front

Creator:: John Nash, 1752–1835
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View from Ashton Meadows, Bristol

Creator:: Nicholas Pocock, 1740–1821
Date:: 1791
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lambeth Palace from Across the River

Creator:: Thomas Priest, active 1738–1750
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Farningham, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1784
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Falstaff Inspecting the Recruits

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1761 and 1765
Materials & Techniques:: Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Cascade at Chiswick House, Middlesex: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: between 1720 and 1735
Materials & Techniques:: Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Between Llangollen and Oswestry

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1790
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Unloading Pit Props at Coalbrookdale

Creator:: Thomas Hearne, 1744–1817
Date:: after 1790
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Cheesecake House, Hyde Park

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View from Skiddaw over Derwentwater

Creator:: Thomas Hearne, 1744–1817
Date:: between 1772 and 1782
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration

Creator:: William Kent, ca.1686–1748
Date:: between 1728 and 1732
Materials & Techniques:: Graphite, pen and black and brown ink, brown and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 12 1/2 inches (38.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hill Hall, Essex

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Pen and ink and watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hawkstone Hall, Shropshire

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, chalk and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/16 × 19 3/8 inches (33.8 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for the Gothic Library at Felbrigg Hall in Norfolk

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. London Cries: Shoe Cleaner

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 12 3/8 inches (28.6 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Treasury, Whitehall, London: Alternate Elevations of the Facade

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Graphite, pen and brown wash within single-ruled pencil border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 11/16 inches (34.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Stowe House, Buckinghamshire: Elevation and Section of Chimney Piece in the Hall

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. King's Mews, Charing Cross, London: Section

Creator:: William Kent, ca.1686–1748
Date:: 1731
Materials & Techniques:: Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Chelsea Hospital

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Oxford

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Line engraving, published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/2 inches (8.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Bath

Creator:: Print made by George Murray, died 1822
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Cambridge

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Guildford

Creator:: Print made by Thomas Rothwell, ca. 1742–1807
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 6 7/8 inches (11.1 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Staines

Creator:: Print made by George Murray, died 1822
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/8 × 5 3/8 inches (8.6 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Grantham Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Shanklin Castle

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. At Steyning - Sussex

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Inside of Castle Gate, Taunton, Somerset

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1752
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bridgenorth Bridge

Creator:: Attributed to Peter Rashleigh, active 1775
Date:: 1775
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Sketch of a Half-Facade for a Royal Palace, Hyde Park, London

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1779
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, and graphite on medium, moderately textured beige wove paper
Dimensions:: Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Bewdley Bridge, Worcester

Creator:: Attributed to Peter Rashleigh, active 1775
Date:: 1775
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of the Castle and Part of the Town of Oswestry, in the County of Salop

Creator:: Peter Toms, 1726–1777
Date:: 1742
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Kenilworth Castle, with Figures on the Hillside

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 inches (22.9 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Herstmonceux Castle, East Sussex: South View of the Green Court

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8in. (64.1 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Herstmonceux Castle, East Sussex: North View of the Green Court

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Matlock High Tor

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 inches (23.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Birmingham

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Brighton Town and Church

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Head Dresses in Covent Garden

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1747
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 × 7 1/4 inches (7.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Characters in the Streets of London

Creator:: Benjamin West, 1738–1820
Date:: 1799
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Chester

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Rotunda and Gardens, Ranelagh

Creator:: John Maurer, active 1713–1761
Date:: ca. 1744
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 16 11/16in. (25.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Broad Street, Oxford

Creator:: John Malchair, 1730–1812
Date:: ca. 1790
Materials & Techniques:: Watercolor, charcoal and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 17 7/8 inches (30.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Fountain's Boarding School, Marylebone

Creator:: James Miller, active 1773–1814
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:: Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Pevensey Castle, Sussex

Creator:: James Moore, 1762–1799
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 9/16 inches (16.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Stowe House, Buckingham

Creator:: Robert Streatfeild, 1786–1852
Date:: 1797
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/2 inches (14.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Kielder Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Blickling Hall, Norwich

Creator:: unknown artist
Date:: ca. 1770
Materials & Techniques:: Watercolor with pen and brown ink on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 24 5/8 inches (47.9 x 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

Creator:: Paul Sandby, 1731–1809
Date:: 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. London Cries: A Muffin Man

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. London Cries: "Any Kitchen Stuff"

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. London Cries: A Milkmaid

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. London Cries: A Fishmonger

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. London Cries: Small Coal or Brushes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray wash, brown wash, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 5 3/8 inches (20.3 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Period 18th century

Associated Places England

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Search Results

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

2. The First Stage of Cruelty: Children Torturing Animals

3. Christ Church Gate, Canterbury

4. Fisherman's Cottage, Dover

5. Newark - upon - Trent

6. Dent de Lion, Margate

7. Interior of St. John's Palace, Eltham

8. Windsor

9. The Hurries, Coal Boats Loading, North Shields

10. St. Augustine's Gate, Canterbury

11. Saint Augustine's Gate, Canterbury

12. North East View of Grantham Church, Lincolnshire

13. View of Ely Cathedral

14. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

15. Plans for the House to be Built at Hampstead

16. Landscape in Westmoreland

17. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

18. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

19. Corsham Court, Wiltshire: Elevation of the North Front

20. York Water Gate

21. View from Ashton Meadows, Bristol

22. Lambeth Palace from Across the River

23. Farningham, Kent

24. Falstaff Inspecting the Recruits

25. Goodrich Castle on the Wye

26. The Cascade at Chiswick House, Middlesex: Elevation and Plan

27. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

28. Between Llangollen and Oswestry

29. The Ruins of Leiston Abbey

30. Unloading Pit Props at Coalbrookdale

31. The Cheesecake House, Hyde Park

32. View from Skiddaw over Derwentwater

33. The Gateway of Lancaster Castle

34. Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration

35. Hill Hall, Essex

36. Hawkstone Hall, Shropshire

37. Design for the Gothic Library at Felbrigg Hall in Norfolk

38. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

39. London Cries: Shoe Cleaner

40. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

41. The Treasury, Whitehall, London: Alternate Elevations of the Facade

42. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

43. Stowe House, Buckinghamshire: Elevation and Section of Chimney Piece in the Hall

44. King's Mews, Charing Cross, London: Section

45. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

46. Rochester

47. Sheffield

48. Chelsea Hospital

49. Oxford

50. Bath

51. Cambridge

52. Guildford

53. Staines

54. Orchard Bay

55. Grantham Church

56. Alum Bay, Isle of Wight

57. Freshwater Bay

58. Alum Bay and the Needles

59. Shanklin Castle

60. Winchester Cross

61. At Steyning - Sussex

62. Inside of Castle Gate, Taunton, Somerset

63. Bridgenorth Bridge

64. The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand

65. Sketch of a Half-Facade for a Royal Palace, Hyde Park, London

66. Bewdley Bridge, Worcester

67. A View of the Castle and Part of the Town of Oswestry, in the County of Salop

68. Badminton Church and Part of the Duke of Beaufort's House

69. Kenilworth Castle, with Figures on the Hillside

70. Westminster Abbey and Bridge from Somerset Garden

71. Herstmonceux Castle, East Sussex: South View of the Green Court

72. Herstmonceux Castle, East Sussex: North View of the Green Court