Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
2
James Lewis, 1751–1820
Design for a Country House
undated
3
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
4
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
5
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
6
Peter Casteels, 1684–1749
Feeding Ducks
undated
7
Thomas Stothard, 1755–1834
Tree Study
undated
8
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
9
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
10
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
11
William Collins, 1788–1847
Dartmouth
undated
12
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
14
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
16
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
17
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
18
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
19
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
20
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
21
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
22
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
23
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
24
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
25
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
26
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
27
Colin Sorensen, active 1964–2001
Two Studies of Clare College
1964
28
George Chinnery, 1774–1852
A River in Ceylon
undated
29
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
30
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
31
unknown artist
A Carriage
1825
32
Philip William May, 1864–1903
The Dog Cart
undated
33
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
34
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
39
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
42
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
43
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
44
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
45
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
46
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
47
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
48
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
49
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
50
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
51
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
52
unknown artist
Peers' Entrance
undated
53
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
54
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
55
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
56
unknown artist
Survey view of a lobby, Palace of Westminster
undated
57
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
58
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
59
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
60
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
61
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
62
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
63
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
64
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
65
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
66
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
67
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
68
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
69
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
70
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
71
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
72
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
73
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
74
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
75
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
76
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
77
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
78
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
79
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
80
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
81
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
82
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
83
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
84
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
85
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
89
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
90
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
91
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
92
unknown artist
Henry VII Chapel, Westminster Abbey
undated
93
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
94
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
95
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard