Search Constraints
You searched for:
Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkMaterials & Techniques gray wash
Remove constraint Materials & Techniques: gray washMaterials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSearch Results
1
- A Cottage among Trees, Shoreham
- undated
2
- An Ancient Barn at Shoreham
- undated
3
- A Harrow in the Orchard
- ca. 1896
4
- Villa d'Este
- ca. 1796
5
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
6
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
7
- The Capo Sant' Angelo, Amalfi
- ca. 1885
8
- The Temptation of Christ
- undated
9
- The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
- undated
10
- Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
- between 1796 and 1808
11
- Funeral Procession at Rome
- 1818
12
- Krishna and Radha
- 1792 to 1795
13
- The Mother's Portrait
- undated
14
- Design for an Ornamented Spandrel
- undated
15
- Design for a Gothic Screen
- undated
16
- Sioux Chieftain
- undated
17
- Solvitur Acris Hyems
- undated
18
- Be it ever so Humble, There's no place like Home
- undated
19
- View of the Falls of Niagara
- between 1795 and 1797
20
- Capri
- ca. 1818
21
- Campagna/ Rome
- 1818
22
- Einsiedein, Switzerland
- ca. 1817
23
- Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
- undated
24
- View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
- between 1795 and 1797
25
- On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
- ca. 1817
26
- Simplon (Switzerland)
- ca. 1817
27
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
28
- St. Martyns Bruche
- ca. 1826
29
- Totnes from the Seymour Hotel
- 1838
30
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
31
- Old Chelsea Church
- undated
32
- Design for Covent Garden Drop Curtain
- 1823
33
- Title page for "The Guardian"
- undated
34
- A Hare at the Edge of the Wood
- undated
35
- Deer Before a Thicket
- undated
36
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
37
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
38
- Palmangan
- undated
39
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
40
- Study for The Woodman's Daughter
- 1849
41
- Design for London Bridge Approach
- between 1827 and 1835
42
- Edinburgh Castle and Horse Fair
- ca. 1828
43
- Clare College, Cambridge
- undated
44
- The Wreck of the Apollo Frigate, 1803
- undated
45
- Part of Goodrich Castle
- 1842
46
- The Farm
- undated
47
- A Wooded Track
- 1813
48
- Thames Ditton, Surrey: Design for Gothic Church
- ca. 1776
49
- The Spoiled Child, Scene I
- ca. 1802
50
- The Spoiled Child, Scene III
- ca. 1802
51
- The Spoiled Child, Scene II
- ca. 1802
52
- The Spoiled Child, Scene VI
- ca. 1802
53
- The Spoiled Child, Scene V
- ca. 1802
54
- Back of Naked Figure
- undated
55
- View of a House
- undated
56
- Elephant
- undated
57
- Pamphilia
- undated
58
- Bacchanalia
- undated
59
- Study for the Figure of St. Paul
- undated
60
- Love Vindicated (L'Amour Vinqe')
- undated
61
- Apollo and Phaeton
- undated
62
- Putting Arms in Hands of the Indians
- undated
63
- Pamphilia
- undated
64
- Venus and Cupid
- undated
65
- Design for Commemorative Medallion for Simon Bolivar
- undated
66
- Bacchanalia
- undated
67
- Snowdon, an Approaching Storm
- 1853
68
- Plan of the Mesquita of Cordova
- 1775 to 1776
69
- Detail of Scrolled Acanthus Molding
- ca. 1779
70
- Cobham Hall, Kent: West Elevation of South Wing
- ca. 1790
71
- Part of the Monastery of St. Saviours, Southwark
- 1809
![James Bruce Plate XV Back of Temple at Sheitla [sic]](https://media.collections.yale.edu/thumbnail/ycba/2e89813a-95ed-48a0-99d5-c455c220f178)
72
- Plate XV Back of Temple at Sheitla [sic]
- undated
73
- Architectural Details of Pedestal Column and Entablature and Pediment Makther
- undated
74
- St. James Market, Saturday
- 1818
75
- Design for stables, plan with 2 elevations
- undated
76
- West Hill, the seat of D.H. Rucker
- undated
77
- The Spoiled Child, Scene IV
- ca. 1802
78
- Dr. Mum
- undated
79
- The Tooth Drawer
- undated
80
- Malvolio: Possibly a Self-Portrait in the Role
- undated
81
- A Mountain Landscape with a Shepherd
- undated
82
- Man Beside a Stile
- undated
83
- A Family Cooking Under A Tree
- undated
84
- Siege at Badajoz
- ca. 1813
85
- Memorial to John Watt from Enfield Church
- between 1796 and 1811
86
- Garden Estate, Arouca
- 1857
87
- The Cottage, Residence of the Governor
- 1857
88
- The Road to the Pitch Lake
- 1857
89
- The Reservoir at Maraval
- 1857
90
- Hogarth Declaring His Love to Miss Thornhill
- 1817
91
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
92
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
93
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
94
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
95
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
96
- Westminster Abbey
- undated
97
- A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
- undated
98
- A Lady
- undated
99
- A Gentleman or A Cleric wearing a Long Gown and Bands
- undated
100
- Pale Melancholy
- ca. 1804