Materials & Techniques: aquatint and wove paper / On-site Access: Accessible by appointment in the Study Room

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

James Malton, 1761–1803

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

1802

John Hill, 1770–1850

Pass-Room Bridewell

1808

John Hill, 1770–1850

Dining Hall, Asylum

1808

William Lee Hankey, 1869–1952

The Flight from Belgium

1914

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

Print made by John Bluck, active 1791–1831

West India Docks

1810

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

after George Baxter, 1804–1867

The Death of Ananias

after 1855

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Print made by George Baxter, 1804–1867

Pomare, Queen of Tahiti

1845

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

William Daniell, 1769–1837

A View of the East India Docks

1808

after Thomas Rowlandson, 1756–1827

Billingsgate Market

1808

Print made by Henry Moore, 1898–1986

Mother and Child XX

1983

Print made by Henry Moore, 1898–1986

Mother and Child XXIV

1983

Print made by Henry Moore, 1898–1986

Mother and Child XXVI

1983

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

The East Front of the Library of Trinity College in the University of Cambridge

1800

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

Daniel Havell, 1785–1826

A View of the Bank of England

1816

unknown artist

North Front of the Bank

1797

unknown artist

South Front of the Bank

1798

Richard Gilson Reeve, 1803–1889

The Great Western leaving Bristol for New York

1840

Print made by William Walcot, 1874–1943

An Egyptian Palace

1923

Henry Hoppner Meyer, ca. 1782–1847

View of the New Country Prison at Abingdon, Berkshire

undated

unknown artist

Carlinan Mill, Iverary, Scotland

1811

J. Hill, active 19th century

A Frigate in a Calm

1811

J. Hill, active 19th century

A Seventy-four in a Fresh Gale

1811

unknown artist

A View of St. Katharine's Dock in the Month of January, 1828

1828

Print made by Ernest Stephen Lumsden, 1883–1948

The Holy River

1912

Print made by William Walcot, 1874–1943

Caesar in Egypt

1926

Print made by William Walcot, 1874–1943

Park Avenue, New York

1923

Print made by William Walcot, 1874–1943

Ludgate Hill

1921

Print made by William Walcot, 1874–1943

The Library of San Marco, Venice

1920

Print made by William Walcot, 1874–1943

Arc de Triomphe, Paris

1918

Print made by William Walcot, 1874–1943

Villa Quintilii

1921

Print made by William Walcot, 1874–1943

Caesar in Egypt

1926

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Henry Papprill, 1816–d.after 1883

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

1842

J. Wellis To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

J. Wellis, active 1799

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

1799